There is an assembly in the studio. I throw my coin on the floor; and since I have never wallowed in gold, I begin to wallow in it. After me Antek wallows. The house-owner comes in, and thinks that we have lost our senses. We amuse ourselves like cannibals.
CHAPTER V.
ONE day Ostrynski informs me that he feels happy that he got a basket from Kazia, for prospects are opening before him of which I cannot have the least idea.
I am very glad of this, or rather, it is all one to me; I believe meanwhile that Ostrynski will take care of himself in this life. When he was trying for Kazia, her parents were on his side, especially Father Suslovski; Ostrynski had even a complete preponderance over him, pushed to the degree that that Roman lost his statuesqueness in presence of this suitor. Kazia, however, could not endure him from the first moment of their acquaintance. It was some unconscious repugnance; as to other things I am perfectly sure that he did not offend her with that with which he offends me, and all who know his nature thoroughly. He is a wonderful man, or rather a wonderful man of letters. There are, of course, not only among us, but in all the greater centres of literature and art, men of whom, when you think, you ask involuntarily, Whence comes their importance? To this category belongs my friend of "The Kite." Who would believe that the secret of Ostrynski's significance and the reason of his mental position is this, that he does not love and does not respect talents,—especially literary talents,—and that he simply lives by disregarding them? He has for them the contempt of a man to whom regularity of life, a certain incisive quickness and great shrewdness secure in society permanent victories over them.
One should see him at sessions, at artistic and literary meetings, at jubilee dinners; with what condescending irony he treats men who in the region of creativeness have ten times more power than he; how he pushes them to the wall; how he confuses them with his logic, with his judgment; how he overwhelms them with his literary importance!
Whenever Antek thinks of this, he calls for a slat from the bedstead with which to crack Ostrynski's skull; but Ostrynski's preponderance does not astonish me. People of genuine talent are frequently awkward, timid, devoid of marked quickness and mental equilibrium. It is only when genuine talent is alone with itself that wings grow out on its shoulders; Ostrynski in such a position could only go to sleep, for he has absolutely nothing to say to himself.
The future brings order, gives rank, and assigns to each man his own proper place. Ostrynski is too clever not to know this; but in his soul he laughs at it. For him, 'tis enough that at present he has greater significance than others, and that people count more with him than with men better than he.
We painters stand less in his way. Still he advertises the talents of writers at times, but only when urged by the interest of "The Kite" and in opposition to "The Courier." For the rest, he is a good comrade, an agreeable person. I can say that I like the man; but—devil take him!—we've had enough of Ostrynski.