“Thou hast said that thou art no writer of verses,” said Vinicius, looking at the middle of the manuscript; “but here I see prose thickly interwoven with them.”

“When thou art reading, turn attention to Trimalchion’s feast. As to verses, they have disgusted me, since Nero is writing an epic. Vitelius, when he wishes to relieve himself, uses ivory fingers to thrust down his throat; others serve themselves with flamingo feathers steeped in olive oil or in a decoction of wild thyme. I read Nero’s poetry, and the result is immediate. Straightway I am able to praise it, if not with a clear conscience, at least with a clear stomach.”

When he had said this, he stopped the litter again before the shop of Idomeneus the goldsmith, and, having settled the affair of the gems, gave command to bear the litter directly to Aulus’s mansion.

“On the road I will tell thee the story of Rufinus,” said he, “as proof of what vanity in an author may be.”

But before he had begun, they turned in to the Vicus Patricius, and soon found themselves before the dwelling of Aulus. A young and sturdy “janitor” opened the door leading to the ostium, over which a magpie confined in a cage greeted them noisily with the word, “Salve!”

On the way from the second antechamber, called the ostium, to the atrium itself, Vinicius said,—“Hast noticed that thee doorkeepers are without chains?” “This is a wonderful house,” answered Petronius, in an undertone. “Of course it is known to thee that Pomponia Græcina is suspected of entertaining that Eastern superstition which consists in honoring a certain Chrestos. It seems that Crispinilla rendered her this service,—she who cannot forgive Pomponia because one husband has sufficed her for a lifetime. A one-man Woman! To-day, in Rome, it is easier to get a half-plate of fresh mushrooms from Noricum than to find such. They tried her before a domestic court—”

“To thy judgment this is a wonderful house. Later on I will tell thee what I heard and saw in it.”

Meanwhile they had entered the atrium. The slave appointed to it, called atriensis, sent a nomenclator to announce the guests; and Petronius, who, imagining that eternal sadness reigned in this severe house, had never been in it, looked around with astonishment, and as it were with a feeling of disappointment, for the atrium produced rather an impression of cheerfulness. A sheaf of bright light falling from above through a large opening broke into a thousand sparks on a fountain in a quadrangular little basin, called the impluvium, which was in the middle to receive rain falling through the opening during bad weather; this was surrounded by anemones and lilies. In that house a special love for lilies was evident, for there were whole clumps of them, both white and red; and, finally, sapphire irises, whose delicate leaves were as if silvered from the spray of the fountain. Among the moist mosses, in which lily-pots were hidden, and among the bunches of lilies were little bronze statues representing children and water-birds. In one corner a bronze fawn, as if wishing to drink, was inclining its greenish head, grizzled, too, by dampness. The floor of the atrium was of mosaic; the walls, faced partly with red marble and partly with wood, on which were painted fish, birds, and griffins, attracted the eye by the play of colors. From the door to the side chamber they were ornamented with tortoise-shell or even ivory; at the walls between the doors were statues of Aulus’s ancestors. Everywhere calm plenty was evident, remote from excess, but noble and self-trusting.

Petronius, who lived with incomparably greater show and elegance, could find nothing which offended his taste; and had just turned to Vinicius with that remark, when a slave, the velarius, pushed aside the curtain separating the atrium from the tablinum, and in the depth of the building appeared Aulus Plautius approaching hurriedly.

He was a man nearing the evening of life, with a head whitened by hoar frost, but fresh, with an energetic face, a trifle too short, but still somewhat eagle-like. This time there was expressed on it a certain astonishment, and even alarm, because of the unexpected arrival of Nero’s friend, companion, and suggester.