The exquisite politeness of this man of the world pleased even Pomponia. As to Lygia, she listened, confused and flushed, without boldness to raise her eyes. But a wayward smile began to quiver at the corners of her lips, and on her face a struggle was evident between the timidity of a maiden and the wish to answer; but clearly the wish was victorious, for, looking quickly at Petronius, she answered him all at once with the words of that same Nausikaa, quoting them at one breath, and a little like a lesson learned,—
“Stranger, thou seemest no evil man nor foolish.”
Then she turned and ran out as a frightened bird runs.
This time the turn for astonishment came to Petronius, for he had not expected to hear verses of Homer from the lips of a maiden of whose barbarian extraction he had heard previously from Vinicius. Hence he looked with an inquiring glance at Pomponia; but she could not give him an answer, for she was looking at that moment, with a smile, at the pride reflected on the face of her husband.
He was not able to conceal that pride. First, he had become attached to Lygia as to his own daughter; and second, in spite of his old Roman prejudices, which commanded him to thunder against Greek and the spread of the language, he considered it as the summit of social polish. He himself had never been able to learn it well; over this he suffered in secret. He was glad, therefore, that an answer was given in the language and poetry of Homer to this exquisite man both of fashion and letters, who was ready to consider Plautius’s house as barbarian.
“We have in the house a pedagogue, a Greek,” said he, turning to Petronius, “who teaches our boy, and the maiden overhears the lessons. She is a wagtail yet, but a dear one, to which we have both grown attached.”
Petronius looked through the branches of woodbine into the garden, and at the three persons who were playing there. Vinicius had thrown aside his toga, and, wearing only his tunic, was striking the ball, which Lygia, standing opposite, with raised arms was trying to catch. The maiden did not make a great impression on Petronius at the first glance; she seemed to him too slender. But from the moment when he saw her more nearly in the triclinium he thought to himself that Aurora might look like her; and as a judge he understood that in her there was something uncommon. He considered everything and estimated everything; hence her face, rosy and clear, her fresh lips, as if set for a kiss, her eyes blue as the azure of the sea, the alabaster whiteness of her forehead, the wealth of her dark hair, with the reflection of amber or Corinthian bronze gleaming in its folds, her slender neck, the divine slope of her shoulders, the whole posture, flexible, slender, young with the youth of May and of freshly opened flowers. The artist was roused in him, and the worshipper of beauty, who felt that beneath a statue of that maiden one might write “Spring.” All at once he remembered Chrysothemis, and pure laughter seized him. Chrysothemis seemed to him, with golden powder on her hair and darkened brows, to be fabulously faded,—something in the nature of a yellowed rose-tree shedding its leaves. But still Rome envied him that Chrysothemis. Then he recalled Poppæa; and that most famous Poppæa also seemed to him soulless, a waxen mask. In that maiden with Tanagrian outlines there was not only spring, but a radiant soul, which shone through her rosy body as a flame through a lamp.
“Vinicius is right,” thought he, “and my Chrysothemis is old, old!—as Troy!”
Then he turned to Pomponia Græcina, and, pointing to the garden, said,—“I understand now, domina, why thou and thy husband prefer this house to the Circus and to feasts on the Palatine.”
“Yes,” answered she, turning her eyes in the direction of little Aulus and Lygia.