“A Roman citizen,” answered Paul, calmly. Then, turning to Crispus, he said: “Be confident, for to-day is a day of grace; die in peace, O servant of God.”
The black men approached Crispus at that moment to place him on the cross; but he looked around once again, and cried,—
“My brethren, pray for me!”
His face had lost its usual sternness; his stony features had taken an expression of peace and sweetness. He stretched his arms himself along the arms of the cross, to make the work easier, and, looking directly into heaven, began to pray earnestly. He seemed to feel nothing; for when the nails entered his hands, not the least quiver shook his body, nor on his face did there appear any wrinkle of pain. He prayed when they raised the cross and trampled the earth around it. Only when crowds began to fill the amphitheatre with shouts and laughter did his brows frown somewhat, as if in anger that a pagan people were disturbing the calm and peace of a sweet death.
But all the crosses had been raised, so that in the arena there stood as it were a forest, with people hanging on the trees. On the arms of the crosses and on the heads of the martyrs fell the gleam of the sun; but on the arena was a deep shadow, forming a kind of black involved grating through which glittered the golden sand. That was a spectacle in which the whole delight of the audience consisted in looking at a lingering death. Never before had men seen such a density of crosses. The arena was packed so closely that the servants squeezed between them only with effort. On the edges were women especially; but Crispus, as a leader, was raised almost in front of Cæsar’s podium, on an immense cross, wreathed below with honeysuckle. None of the victims had died yet, but some of those fastened earlier had fainted. No one groaned; no one called for mercy. Some were hanging with head inclined on one arm, or dropped on the breast, as if seized by sleep; some were as if in meditation; some, looking toward heaven, were moving their lips quietly. In this terrible forest of crosses, among those crucified bodies, in that silence of victims there was something ominous. The people who, filled by the feast and gladsome, had returned to the Circus with shouts, became silent, not knowing on which body to rest their eyes, or what to think of the spectacle. The nakedness of strained female forms roused no feeling. They did not make the usual bets as to who would die first,—a thing done generally when there was even the smallest number of criminals on the arena. It seemed that Cæsar himself was bored, for he turned lazily and with drowsy expression to arrange his necklace.
At that moment Crispus, who was hanging opposite, and who, like a man in a faint or dying, had kept his eyes closed, opened them and looked at Cæsar. His face assumed an expression so pitiless, and his eyes flashed with such fire, that the Augustians whispered to one another, pointing at him with their fingers, and at last Cæsar himself turned to that cross, and placed the emerald to his eye sluggishly.
Perfect silence followed. The eyes of the spectators were fixed on Crispus, who strove to move his right hand, as if to tear it from the tree.
After a while his breast rose, his ribs were visible, and he cried: “Matricide! woe to thee!”
The Augustians, hearing this mortal insult flung at the lord of the world in presence of thousands, did not dare to breathe. Chilo was half dead. Cæsar trembled, and dropped the emerald from his fingers. The people, too, held the breath in their breasts. The voice of Crispus was heard, as it rose in power, throughout the amphitheatre,—
“Woe to thee, murderer of wife and brother! woe to thee, Antichrist. The abyss is opening beneath thee, death is stretching its hands to thee, the grave is waiting for thee. Woe, living corpse, for in terror shalt thou die and be damned to eternity!”