Acte put her arms around Lygia’s neck, and began to weep. Once more the freedwoman understood that there was a world in which greater happiness existed, even in suffering, than in all the excesses and luxury of Cæsar’s house. Once more a kind of door to the light was opened a little before her, but she felt at once that she was unworthy to pass through it.
Chapter IX
LYGIA was grieved to lose Pomponia Græcina, whom she loved with her whole soul, and she grieved for the household of Aulus; still her despair passed away. She felt a certain delight even in the thought that she was sacrificing plenty and comfort for her Truth, and was entering on an unknown and wandering existence. Perhaps there was in this a little also of childish curiosity as to what that life would be, off somewhere in remote regions, among wild beasts and barbarians. But there was still more a deep and trusting faith, that by acting thus she was doing as the Divine Master had commanded, and that henceforth He Himself would watch over her, as over an obedient and faithful child. In such a case what harm could meet her? If sufferings come, she will endure them in His name. If sudden death comes, He will take her; and some time, when Pomponia dies, they will be together for all eternity. More than once when she was in the house of Aulus, she tortured her childish head because she, a Christian, could do nothing for that Crucified, of whom Ursus spoke with such tenderness. But now the moment had come. Lygia felt almost happy, and began to speak of her happiness to Acte, who could not understand her, however. To leave everything,—to leave house, wealth, the city, gardens, temples, porticos, everything that is beautiful; leave a sunny land and people near to one—and for what purpose? To hide from the love of a young and stately knight. In Acte’s head these things could not find place. At times she felt that Lygia’s action was right, that there must be some immense mysterious happiness in it; but she could not give a clear account to herself of the matter, especially since an adventure was before Lygia which might have an evil ending,—an adventure in which she might lose her life simply. Acte was timid by nature, and she thought with dread of what the coming evening might bring. But she was loath to mention her fears to Lygia; meanwhile, as the day was clear and the sun looked into the atrium, she began to persuade her to take the rest needed after a night without sleep. Lygia did not refuse; and both went to the cubiculum, which was spacious and furnished with luxury because of Acte’s former relations with Cæsar. There they lay down side by side, but in spite of her weariness Acte could not sleep. For a long time she had been sad and unhappy, but now she was seized by a certain uneasiness which she had never felt before. So far life had seemed to her simply grievous and deprived of a morrow; now all at once it seemed to her dishonorable.
Increasing chaos rose in her head. Again the door to light began to open and close. But in the moment when it opened, that light so dazzled her that she could see nothing distinctly. She divined, merely, that in that light there was happiness of some kind, happiness beyond measure, in presence of which every other was nothing, to such a degree that if Cæsar, for example, were to set aside Poppæa, and love her, Acte, again, it would be vanity. Suddenly the thought came to her that that Cæsar whom she loved, whom she held involuntarily as a kind of demigod, was as pitiful as any slave, and that palace, with columns of Numidian marble, no better than a heap of stones. At last, however, those feelings which she had not power to define began to torment her; she wanted to sleep, but being tortured by alarm she could not. Thinking that Lygia, threatened by so many perils and uncertainties, was not sleeping either, she turned to her to speak of her flight in the evening. But Lygia was sleeping calmly. Into the dark cubiculum, past the curtain which was not closely drawn, came a few bright rays, in which golden dust-motes were playing. By the light of these rays Acte saw her delicate face, resting on her bare arm, her closed eyes, and her mouth slightly open. She was breathing regularly, but as people breathe while asleep.
“She sleeps,—she is able to sleep,” thought Acte. “She is a child yet.” Still, after a while it came to her mind that that child chose to flee rather than remain the beloved of Vinicius; she preferred want to shame, wandering to a lordly house, to robes, jewels, and feasts, to the sound of lutes and citharas.
“Why?”
And she gazed at Lygia, as if to find an answer in her sleeping face. She looked at her clear forehead, at the calm arch of her brows, at her dark tresses, at her parted lips, at her virgin bosom moved by calm breathing; then she thought again,—“How different from me!”
Lygia seemed to her a miracle, a sort of divine vision, something beloved of the gods, a hundred times more beautiful than all the flowers in Cæsar’s garden, than all the statues in his palace. But in the Greek woman’s heart there was no envy. On the contrary, at thought of the dangers which threatened the girl, great pity seized her. A certain motherly feeling rose in the woman. Lygia seemed to her not only as beautiful as a beautiful vision, but also very dear, and, putting her lips to her dark hair, she kissed it.
But Lygia slept on calmly, as if at home, under the care of Pomponia Græcina. And she slept rather long. Midday had passed when she opened her blue eyes and looked around the cubiculum in astonishment. Evidently she wondered that she was not in the house of Aulus.