"I am about to commit murder," I cried.
"I'll save you the bother by telling him to chase himself with this franc," said the Artist, pulling out the coin. "If only the restorer of the Tower of Augustus were around, he'd come in for a franc too."
La Turbie is not a town to hurry away from after lunch. Its old gateways and leaning houses brought out the Artist's pencil. I tried to explore the paths up the Tête du Chien. Défense de pénétrer—and then selections from the Code about how spies are treated. The same fate met me on the Mont de la Bataille. France may love Italy just now—but she is taking no chances! As far as I could judge, every high slope was fortified. I had tea at one of the hotels perched above the town, counted my money, and suggested to the Artist that we slip down to Monte Carlo for the night.
The next morning we took the little railway back to La Turbie and continued our walk. From La Turbie the Grande Corniche makes a gradual descent behind the principality of Monaco to Cabbé-Roquebrune, and joins the Petite Corniche at Cap Martin. Three miles farther on the Promenade du Midi leads into Menton. This is the most beautiful stretch of the Grande Corniche; and it is paralleled by no other road, as the new Moyenne Corniche ends at Monte Carlo. The view is before you as you go down. The vegetation becomes more tropical. You are nearer the sea, and the feeling of dolce far niente gets into your bones as you approach Cap Martin.
Mont Agel's limestone side gives you back the heat of the sun. It is a radiator. No wonder lemons flower all the year round, and you discover on the same tree buds, flowers, green and yellow fruit. No wonder the palms are not out of their setting as at Cannes and Nice. Locusts, flourishing where there is seemingly no ground to take root in, live from the air, and give forth pods that almost hide the leaves in their profusion. The undergrowth of myrtle and dwarf ilex above becomes aloes and sarsaparilla and wild asparagus as we go down to the sea. We have left the cypresses and cork-trees, and eucalyptus struggles in our nostrils with orange and lemon. Even the ferns are scented! The Artist looks with apathetic eye on the rocks and ruined castle of Roquebrune. When we reach Menton we are willing to sink into cane-seated rockers on the Hôtel Bristol porch, call for something in a tall glass with ice in it, and let the morning walk count for a day's journey.
The tourists who know Menton only as a mid-day luncheon break have robbed themselves of an experience that no other Riviera town offers. The Promenade des Anglais at Nice is interesting in the sense that the Avenue des Champs-Elysées is interesting. The Mediterranean is accidental—an unimportant accessory. The Promenade du Midi at Menton is another world. And this other world, with its other world climate, reveals itself to you with increasingly keen delight, as you ride (you do not walk at Menton) around Cap Martin, up the mountain to old Sainte-Agnès, in the gorge of Saint-Louis, along the Boulevard du Garavan, and out to the Giardino Hanbury. You say giardino instead of jardin because Mortola is just across the Italian frontier. The eccentric Englishman chose this spot, without regard to political sovereignty present or future, as the best place to demonstrate the catholicity of the Riviera climate to tropical flora. I simply mention these drives; for you do not ride at Menton any more than you walk. The man who wants to keep his energy and work on the Riviera must not go farther east than Nice.
But why another world? And another world even from that of the rest of the French Riviera? It is partly the climate and the consequent flora, but mostly the light. The general aridity of the Riviera, with the prevalence of everbrowns and evergreens, strikes unpleasantly at first the visitor from the North. Sunshine and riotous colors of flowers and blossoming trees do not make up for the absence of water-fed green. When it rains, the Northerner's depression cannot be fought off. The chill gets to his soul as well as to his bones. He prays for the sun he has come south to seek. But when the sun returns, the dust annoys him. The high wind gets on his nerves.
The casual tourist, whose stay is brief, even if he has come in the most favorable season, is "not so sure about the Riviera, you know." He is impatient with himself because, after the first vivid impression, panoramas and landscapes leave him unsatisfied. There is no compensation for the absence of water-fed green in the canvas of nature until one becomes responsive to other colors. I do not mean particular patches of color in flowers and blossoms. These are of a season. Often they pass in a week. The sun that gives rich life kills quickly. The glory of south lands, especially along the sea, is the constant changing of colors. These colors you will drink in only when by familiarity you have become sensitive to lights and shadows.
If you stay long enough at a place like Menton you will be ready for Southern Italy and Greece. You will be able to drink in the beauty of landscapes without foliage. And when you have acquired this sense, your own country will be a new world to you. Never again, as long as you live, will you tire of any landscape.
The sun veils and unveils itself more often and more quickly and more unexpectedly at Menton than at any place on the Riviera. And the setting for watching the changes is perfect. Menton can say, in the words of the old sundial,