CHUANG TZŬ
Chuang Tzŭ was born in the fourth century B.C., and held a petty official post. “He wrote,” says the historian Ssŭ-ma Ch‘ien, “with a view to asperse the Confucian school and to glorify the mysteries of Lao Tzŭ.... His teachings are like an overwhelming flood, which spreads at its own sweet will. Consequently, from rulers and ministers downwards, none could apply them to any definite use.”
Here we have the key to the triumph of the Tao of Confucius over the Tao of Lao Tzŭ. The latter was idealistic, the former a practical system for everyday use. And Chuang Tzŭ was unable to persuade the calculating Chinese nation that by doing nothing, all things would be done. But he bequeathed to posterity a work which, by reason of its marvellous literary beauty, has always held a foremost place. It is also a work of much originality of thought. The writer, it is true, appears chiefly as a disciple insisting upon the principles of a Master. But he has contrived to extend the field, and carry his own speculations into regions never dreamt of by Lao Tzŭ.
The whole work of Chuang Tzŭ has not come down to us, neither can all that now passes under his name be regarded as genuine. Alien hands have added, vainly indeed, many passages and several entire chapters. But a sable robe, says the Chinese proverb, cannot be eked out with dogs’ tails. Lin Hsi-chung, a brilliant critic of the seventeenth century, to whose edition all students should turn, has shown with unerring touch where the lion left off and the jackals began.
The honour of the first edition really belongs to a volatile spirit of the third century A.D., named Hsiang Hsiu. He was probably the founder, at any rate a member, of a small club of bibulous poets who called themselves the Seven Sages of the Bamboo Grove. Death, however, interrupted his labours before he had finished his work on Chuang Tzŭ, and the manuscript was purloined by Kuo Hsiang, a scholar who died A.D. 312, and with some additions was issued by the latter as his own.
Before attempting to illustrate by extracts the style and scope of Chuang Tzŭ, it will be well to collect from his work a few passages dealing with the attributes of Tao. In his most famous chapter, entitled Autumn Floods, a name by which he himself is sometimes spoken of, Chuang Tzŭ writes as follows:—
“Tao is without beginning, without end.” Elsewhere he says, “There is nowhere where it is not.” “Tao cannot be heard; heard, it is not Tao. Tao cannot be seen; seen, it is not Tao. Tao cannot be spoken; spoken, it is not Tao. That which imparts form to forms is itself formless; therefore Tao cannot have a name (as form precedes name).”
“Tao is not too small for the greatest, nor too great for the smallest. Thus all things are embosomed therein; wide, indeed, its boundless capacity, unfathomable its depth.”
“By no thoughts, by no cogitations, Tao may be known. By resting in nothing, by according in nothing, Tao may be approached. By following nothing, by pursuing nothing, Tao may be attained.”