And then she smiled a gentle smile, sighed a dolefully religious sigh and told her daughter that she could take me into the parlor, that holy of holies which was darkened and unused during the week, but opened on Sundays for callers and on other special occasions such as funerals and weddings. The room was extraordinarily gloomy, because the curtains were never raised enough to let in a great deal of light, and it smelled musty from being closed all week. And invariably the gloom was added to by a crayon portrait of the head of the house, a goggle-eyed enlargement of a very ordinary photograph by Trappe, which stood on an easel in a corner.
I had considered this call an occasion, and with the aid of my elder sister who was visiting us from Memphis, I had made an elaborate toilet and had been permitted to wear my Sunday suit. But I did not have a good time; I had known this girl a long time and admired her intensely, but she seemed suddenly to have changed. She sat stiffly on one side of the room near a window, hands folded demurely in her lap, and I sat as stiffly on the other. We inquired coldly concerning each other’s health, and I had prepared in my mind a suitable and, indeed, quite holy comment on certain aspects of our school life and was about to deliver it when her mother called gently from the porch:
“Don’t play the piano, dear: it’s Sunday.”
My observation went unuttered, and we sat for some little time in an embarrassed silence broken only by the crunch of her mother’s rocking chair and the crooning melody of a hymn, each wishing to Heaven that the other was elsewhere. I yearned to hear the piano, but this instrument, with its delightful tinkle and its capacity for producing ragtime, was generally regarded as a hellish contraption; in fact, any sort of fast music was considered more or less sinful. If there had been an organ in the house, the young lady would have been permitted to play it, and we could have sung from the family hymn book, provided we did so in proper humility. But there was only a piano, and it was taboo. Presently the mother spoke again:
“Don’t play the phonograph, dear; it’s Sunday.”
This admonition was modified later by permission to play an organ record of the hymn, “Face to Face,” and we played it over five times before the mother got tired of hearing it. She said, “You’d better stop now, dear; it’s Sunday.” Then she suggested that we turn to other means of entertainment.
“Perhaps Herbie would like to look at the album, dear. Would you, Herbie?”
“Yes, ma’am,” I said.
So we looked at the album, stiffly and in silence, the sacred book held on our knees, but we were very careful that our knees did not touch. We dared not giggle at the sight of the bushy-whiskered members of the young lady’s family, and made no comment on their raiment, which we rightly considered outlandish. We turned the pages and stared, and the girl explained.
“That’s Uncle Martin.”