(ii) A nude Venus in a landscape with Cupid. Finished by Titian. (Since identified as the Dresden Venus.)
(in) S. Jerome reading.
CASA M. ANTON. VENIER (1528).
A soldier armed to the waist.
CASA G. VENDRAMIN (1530).
(i) Landscape with soldier and gipsy. (Since identified as the Adrastus and Hypsipyle of the Pal. Giovanelli, Venice.)
(ii) The dead Christ on the Tomb, supported by one Angel. Retouched by Titian. (This can hardly be the celebrated Pietà in the Monte di Pietà at Treviso, as there are here three angels. M. Lafenestre, in his Life of Titian, reproduces an engraving answering to the above description, but it is hard to believe this mannered composition is to be traced back to Giorgione.)
(i) A youth, half-length, holding an arrow.
(ii) Head of a shepherd boy, who holds a fruit.