Vide Repertorium für Kunstwissenschaft, xix. 2, p. 166. [Dr. Gronau.]
It would seem, therefore, desirable to efface the name of Barbarelli from the catalogues. The National Gallery, for example, registers Giorgione's work under this name.
The translation given is that of Blashfield and Hopkins's edition. Bell, 1897.
M. Müntz adduces strong arguments in favour of this view (La fin de la Renaissance, p. 600).