cassone panels by, [34], [56], [89];
his Venus completed by Titian, [35], [72];
his mastery of line, [36], [41], [42], [46], [100], [116], [118];
his faults of drawing, [39], [118];
exuberance of his later style, [41];
comparison of with Dosso, [44];
influence of on later artists, [48];
works as to which Crowe and Cavalcaselle and Morelli disagree, [49];
difficulty of deciding between Giorgione and Titian, [50], [69], [71];
works accepted by Berenson, [54];