Catena has adopted this Giorgionesque conception in his "Judith" in the Querini-Stampalia Gallery in Venice.

[48]

See Gazette des Beaux Arts, 1897, tom, xviii. p. 279.

[49]

See Gazette des Beaux Arts, 1893, tom. ix. p. 135 (Prof. Wickhoff); 1894, tom. xii. p. 332 (Dr. Gronau); and Repertorium für Kunstwissenschaft, tom. xiv. p. 316 (Herr von Seidlitz).

[50]

Crowe and Cavalcaselle, ii. 147.