Gazette des Beaux Arts, 1897, pp. 278-9. Since (1901) republished in his Study and Criticism of Italian Art, vol. i. p. 85.
Titian's posthumous portrait of Caterina is lost. The best known copy is in the Uffizi. Crowe and Cavalcaselle long ago pointed out the absurdity of regarding this fancy portrait as a true likeness of the long deceased queen. It bears no resemblance whatever to the Buda-Pesth portrait, which is the latest of the group.
Cicerone, sixth edition.