With the exception of the right arm, which Titian has let fall, instead placing it behind the head of the sleeping goddess. The effect of the beautiful curve is thereby lost, and Titian shows himself Giorgione's inferior in quality of line.
As in the "Aeneas and Evander" (Vienna), the "Judith" (St. Petersburg), the Madrid "Madonna and Saints," etc.
As in the "Caterina Cornare" of the Crespi collection at Milan.