Fig. 8. Design on Modern Huichol Ribbon.
Fig. 9. Woven Pouch of the Huichol Indians showing Two-Headed Austrian Eagle.
The Pima, Seri, Tarahumare, Tepehuane, and other tribes of the extreme north and northwest of Mexico have until recent times been comparatively unmodified by Spanish influences. Basketry, textiles, and pottery have been maintained by them as well as many religious ceremonies. Farther south among the Cora and Huichol there also are surviving arts. The woven fabrics of these Indians are very beautiful but introduced ideas are frequently seen. For instance, a very common motive in Huichol textile art is the two-headed Austrian eagle evidently taken from the coins of Charles V. Crowns similar to those worn by the two-headed eagle are often shown on the heads of rampant animals. But most of the motives are doubtless of native origin.
Among the Huichol and Tarahumare the curious peyote, or hikule worship may be studied. A small variety of cactus is eaten, which induces ecstasy or stupor accompanied by color visions and peculiar dreams. Elaborate ceremonies are associated with the eating and gathering of this plant. The religious cult of the peyote has swept over a large portion of the Great Plains Area of the United States and is known even to Indians in the neighborhood of the Great Lakes. There can be no doubt that the narcotic action of the peyote was known to the Aztecs, who made a ceremonial use of it under the name teonanacatl. An intoxicating drink called teswin is commonly made in northern Mexico from the heart of the mescal plant. It takes the place of the famous pulque, the ancient beverage of the Mexican highlands. Hunting dances in which are employed regalia and ceremonial objects of great interest occur among the Huichol and neighboring tribes. The so-called “god’s eyes” made of yarn strung spider-web fashion over crossed sticks are practically identical with the “squash blossoms” of the Pueblo Indians. There are also real temple structures, or “god houses,” which are very significant when we consider the former importance of the temple among the more highly civilized peoples to the south. In these and other respects the Huichol culture is about midway between the culture of the Southwestern Pueblo tribes and that which formerly existed in central Mexico.
Elsewhere in northern and central Mexico it is possible to find many suggestions of ancient Indian ways of living. In nearly all the outlying villages the old-time thatched huts are still used, while baskets, gourd vessels, wooden bowls, earthen pots, and other household objects hark back to native origins, although often modified by European contact. For instance, glazing is commonly seen on the modern pottery. Many travelers in Mexico bring away as souvenirs pieces of pottery from Guadalajara and Cuernavaca. These wares are made by Indians, but in decoration they have only slight traces of the ancient art of the Mexicans.
In dress there are noteworthy survivals. The serape made either on the narrow hand loom or on a crude form of the Spanish tread loom is a picturesque element in the national dress that is rapidly disappearing from view. Time was when the rich plantation owner wore a gayly colored blanket on fiesta days. The most famous centers for the manufacture and sale of blankets were the cities of Saltillo and San Miguel. The Saltillo pattern shows a medallion consisting of concentric diamonds in various colors upon an all-over design in stripes. The motives are minute geometric figures skilfully interlocked. The colors are rich and permanent and are combined in a very pleasing manner. Saltillo blankets must be classed among the finest textile products of the world. The best period was before 1850. San Miguel blankets show characteristically a rosette instead of a diamond in the center. Many beautiful blankets come from other localities in Mexico. The Chimayo blankets have the same part Indian, part Spanish origin and are made by the Spanish-speaking natives in the mountain valleys of New Mexico.
[Plate IV.]
