Some of the great sculptures of Tenochtitlan have already been described and references have been made to the native books painted in brilliant colors on paper and deerskin. Objects of minor art comprise pottery vessels, ornaments of gold, silver, copper, jade, and other precious materials, textiles, pieces of feather work, etc.
The best known ceramic products are made of orange colored clay and carry designs in black that sometimes are realistic, but more often not. The tripod dishes with the bottoms roughed by cross scoring were used to grind chili. Heavy bowls with loop handles on the sides and a channel across the bottom were seemingly made to be strung on ropes. They may have held pitch and been used for street lights. The pottery figurines of the Aztecan period are nearly all moulded and lack the sharp detail of the earlier examples. They often represent deities wearing characteristic dress and carrying ceremonial objects.
Comparatively few specimens of ancient gold work in Mexico escaped the cupidity of the Spanish conquerors, but these attest a remarkable proficiency in casting. The moulds were made of clay mixed with ground charcoal and the melting of gold was accomplished by means of a blow pipe. The technique seen in Costa Rican gold work according to which details falsely appear to be added by soldered wire, was followed in Mexico. Modern Mexican filigree bears little relation to the ancient Indian work, but is probably of Moorish origin. The examples of Aztecan gold work include finger rings, earrings, nose and lip ornaments, necklaces, and pendants.
Among the precious and semi-precious stones known to the Aztecs, the most valuable in their eyes was turquoise. This was probably obtained by trade from the Pueblo Indians. It was mostly cut into thin plates and used in the manufacture of mosaic objects. Red jasper, green jade, jet, gold, and shell of various colors was also used in these mosaics. Jade was highly prized and was known as chalchihuitl. Ornaments of obsidian, a black volcanic glass, and of crystal quartz, are fairly common and others of opal and amethyst have been found. Pearls and emeralds were secured in trade from the south.
Fig. 82. Mexican Blanket with the Design that represents interlacing Sand and Water called “Spider Water.”
The textile decorations in vogue at the coming of the Spaniards can be restored from the pictures in codices. Mantles were often demanded as tribute and the designs are given on the conventional bundles in the tribute lists. Garments with certain designs served as insignia of office for several of the priesthoods. Feather mosaic was highly prized and was made according to several methods. Capes as well as shields and other objects were covered with brilliant feathers so arranged as to bring out designs in the natural colors.
The Tarascans.
The Aztecs while by far the most important tribe in the fifteenth century did not dominate all the surrounding peoples. For instance, most of the State of Michoacan was controlled by the Tarascan tribe who defeated every expedition sent against them. The list of Tarascan towns is a long one but Tzintzuntzan which means the “Place of the Humming Birds” was the capital and principal stronghold. The ancient history of the Tarascans is little known. Large and striking specimens of archaic art were formerly accredited to this people, but without good reason. It is likely that archaic characters in art were maintained in Michoacan after they had passed away in central Mexico, but we cannot be sure that the Tarascans were the ancient inhabitants. There is some evidence, however, of culture which can be associated with them. The peculiar T-shaped mounds called yatacas, which rise in terraces and are faced with stone slabs laid without mortar, may have been built by this tribe. Sculptures of rather fine quality are occasionally found, an example being a reclining god of the type made famous by the “Chacmool” of Chichen Itza. Many fine copper celts have been unearthed in this highly mineralized mountain region. When the Spaniards came the Tarascans were skilled in weaving and were particularly famous for feather mosaics and feather pictures made largely of the brilliant plumage of humming birds. The use of the atlatl or spear-thrower survives among the present-day Indians who also make gourd vessels covered with colored clays in pleasing geometric and floral designs.
The Otomis are a tribe of central Mexico even less cultured than the Tarascans and there is some evidence that they entered this region from the south only a few centuries before the Spaniards. Their relatives, the Matlatzincas of the Valley of Toluca, had more interesting arts.