She will not wed you, not to lose her light—

Not to remove the flower that decks her window!”)

The well-known hotel kept by Madame Palumbo, who is thoroughly conversant with English ways and requirements, occupies a delightful position in the old aristocratic quarter of Ravello known as “Il Toro,” the name of which is still retained in the interesting little church of San Giovanni del Toro close by. This comfortable hostelry has been constructed out of the Vescovado, the ancient episcopal residence, and it still retains many curious and attractive features of the original building, notably the quaint little stair-way that descends from the bishop’s private chamber into the chapel, which is now the salon of the hotel. With its magnificent views, its interesting buildings and its pure exhilarating air, Ravello would seem to be an ideal spot wherein to linger, and it affords a most agreeable change in the later Spring months from the close atmosphere and enervating heat of Amalfi or the coast towns. Perched on this breezy hill-top, from the terrace of the hotel can be observed the whole circuit of the Bay of Salerno, whilst behind to the north and east the ring of enclosing mountains rises sharp and distinct against the sky. From this point we are presented with a complete view of [pg 165]the territories of the ancient Republic, spread out like a map beneath our feet and stretching from the Punta della Campanella to the heights above Vietri, and backed by the arid grey mountain peaks. If the garden of the Hotel Palumbo seems a fitting place wherein to idle or to dream, might not it also appeal to some historian, not tied to time nor to the hard necessity of money-making, as a suitable spot for the conception of a history of the origin, rise, decline and fall of the great maritime Republic, whose dominions, still smiling and populous, surround Ravello on all sides? Gibbon found the first suggestion for his Roman History whilst musing upon the ruins of the Capitol, and he finished his great work in a Swiss garden amidst the scent of acacia bloom; might not the annals of the Amalfitan Republic likewise spring from reflections made upon this terrace, where the memories of a former greatness still beautiful in its decay must operate so powerfully? Well, perhaps some future Gibbon—or more probably some budding Mommsen—may in time present the world with a true impartial and erudite history of the Costiera d’Amalfi.

We bask lazily in the afternoon sunshine, to the soft, rather soporific cooing of some caged doves, that live in the back-ground out of sight behind a screen of lemon trees in huge red jars, such as Morgiana must have been familiar with. Beyond the terrace wall we note the carefully tended vines, precious plants, for their grapes produce the delicate Episcopio wine, perhaps the choicest vintage to be obtained around Naples, and boasting a flavour and bouquet that are rarely to be encountered except in the products of the most celebrated vineyards of France or Germany.

“O quam placens in colore,

O quam fragrans in odore,

O quam sapidum in ore,

Dolce linguae vinculum.

“Felix venter quem intrabis,

Felix guttur quod rigabis,