I did not hear his reply, though I confess I tried to catch it. She resumed her work of copying one of the paintings. This she did in a mechanical sort of way, slowly, and with crabbed touches, but with some success. I thought her lacking in anything like control over the medium in which she worked; but the results promised rather well. He seemed annoyed at her sudden accession of industry, and looked sometimes quizzically at her work, often hungrily at her. Once or twice he touched her hand as she stepped near him; but she neither reproved him nor allowed him to retain it.
I felt that I had taken her measure by this time. She was some Western country girl, well supplied with money, blindly groping toward the career of an artist. Her accent, her dress, and her occupation told of her origin and station in life, and of her ambitions. The blindness I guessed,—partly from the manner of her work, partly from the inherent probabilities of the case. If the young man had been eliminated from this problem with which my love-sick imagination was busying itself, I could have followed her back confidently to some rural neighborhood, and to a year or two of painting portraits from photographs, and landscapes from “studies,” and exhibiting them at the county fair; the teaching of some pupils, in an unnecessary but conscientiously thrifty effort to get back some of the money invested in an “art education” in Chicago; and a final reversion to type after her marriage with the village lawyer, doctor or banker, or the owner of the adjoining farm. I was young; but I had studied people, and had already seen such things happen.
But the young man could not be eliminated. He sat there idly, his every word and look surcharged with passion. As I wondered how long it would be until they were as happy as Alice and I, the thought grew upon me that, however familiar might be the type to which she belonged, he was unclassified. His accent was Eastern—of New York, I judged. He looked like the young men in the magazine illustrations—interesting, but outside my field of observation. And I could not fail to see that girl must find herself similarly at odds with him. “But,” thought I, “love levels all!” And I freshly interrogated the pictures and statues for transportation to my own private Elysium, forgetful of my unconscious neighbors.
My attention was recalled to them, however, by their arrangements for departure, and a concomitant slightly louder tone in their conversation.
“It’s just a spectacular show,” said he; “no plot or anything of that sort, you know, but good music and dancing; and when we get tired of it we can go. We’ll have a little supper at Auriccio’s afterward, if you’ll be so kind. It’s only a step from McVicker’s.”
“Won’t it be pretty late?” she queried.
“Not for Chicago,” said he, “and you’ll find material for a picture at Auriccio’s about midnight. It’s quite like the Latin Quarter, sometimes.”
“I want to see the real Latin Quarter, and no imitation,” she answered. “Oh, I guess I’ll go. It’ll furnish me with material for a letter to mamma, however the picture may turn out.”
“I’ll order supper for the Empress,” said he, “and—”
“And for the illustrious Sir John,” she added. “But you mustn’t call me that any more. I’ve been reading her history, and I don’t like it. I’m glad he died on St. Helena, now: I used to feel sorry for him.”