Men can o'erlook the stain upon the targe,
If from its boss the jewel shoots its ray;
Or blood upon the pirate's sable barge
Covered by silks' and satins' bright array—
The need of lucre never looms so large
As when 'tis gotten in some devious way.
—Rondels of the Curb.
Morning passed to noon, and the day aged into afternoon, before Amidon rose from the deep sleep which (according to Le Claire's prediction) followed his evening with her and the professor. With that odd sense of bewilderment which the early riser feels at this violation of habit, he went into the café for his belated breakfast. Impatient to finish the meal so that he might haste to the promised interview, he studied the menu, and with his eye scouted the room for a waiter—failing to bestow even the slightest glance on a man seated opposite. This fact, however, did not prevent the stranger from scrutinizing Amidon's face, his dress, and even his hands, as if each minutest detail were vitally important. He even dropped his napkin so as to make an excuse for looking under the table, and thus getting a good view of Florian's boots. Finally he spoke, as if continuing a broken-off conversation.
"As I said a while ago," he remarked, "Browning falls short of being a poet, just as a marble-cutter falls short of being a sculptor. You were quoting Love Among the Ruins, as the train stopped at Elm Springs Junction; or was it Evelyn——"
Amidon's eyes, during this apparently aimless disquisition, had been drawn from his meal to the speaker. He saw an elderly gentleman, clothed in the black frock-coat and black tie of the rural lawyer of the old school. His eyes shot keen and kindly glances from the deep ambush of great white brows, and his mouth was hidden under a snowy mustache. His features made up for a somewhat marked poverty of shape by a luxuriance of ruddy color, the culminating point of which was to be found in the broad and fleshy nose. His voice, soft and gentle when he began, swelled out, as he spoke, into something of the orator's orotund. When Amidon looked at him, the speaker returned the gaze in full measure, and leaning across the table, pointed his finger at his auditor, and slowly uttered the words, "—as—the train—stopped—at—Elm Springs Junction!"
"Why, Judge Blodgett!" exclaimed Amidon, "can this be you?"
"Can it be I?" exclaimed the judge. "Can it be me! No difficulty about that. Never mind the handshaking just yet—after a while, maybe. When it comes to the can-it-be part, how about you? How about the past five years, and Jennie Baggs keeping a place for you every meal for all this time, up to the present hour? I tell you, Florian, letting me down in that case of Amidon versus Cattermole, without a scrap of evidence, and getting me licked by a young practitioner who studied in my office, was bad—was damnable; but an only sister, Florian! and not one word in five years!"
"She's well, then, Jennie is?"
"She's as well, Florian, as a woman with the sorrow you've brought to her, and the mother of two infants, can be. But why do you ask?—why do you ask?—why is it necessary to go through the work of surplusage of asking?"
"Children, eh?" said Florian. "Good for Jennie! And how's Baggs?"
"Oh, Baggs, yes—why, Baggs has come through it all with his health about unimpaired, Baggs has! But no Baggs court of inquiry is going to switch me off the examination I'm now conducting; and I tell you, Mr. Amidon, you can't dodge me. What double life took you away from home, and property, and everything?"