I heaped coals of fire on Pa's head by staying with him hours and hours every day, and reading to him, until he asked me for goodness' sake to stop until he got the cross-talk out of his receiver. I said I'd be glad to dispense with all his cross talk, and he said: "There, now, don't cry"—and we had a regular love feast. Pa was a little difficult at this period. However, that day he got more confidential than he ever was before, and told me that serious business troubles were piling up, and worried him. We were likely, he said, to be spared the disgrace of dying rich. This was irony, for Pa despises this new idea that one should apologize for one's success.
He went on to tell me that Mr. Prunty had always had the most stock in the Mid-Continent, and that now that Enos had got so conceited about being able to run the business, and not being allowed to, the Pruntys seemed to want the whole thing, and hinted around about withdrawing, or buying Pa out.
I have this scene all in my mind for the play, with me sitting in "a dim religious light" and listening to the recital of our ruin and crying over Pa's sore foot. I did cry a good deal about this, truly, for I knew perfectly well that it was the nasty way I had treated Enos that made them so mean; but I still wished from the bottom of my heart that he would come back so I could search my soul for worse things to do to him. I told Billy about this trouble, and explained that Pa couldn't possibly raise money to buy out the Pruntys, and that they could be calculated upon not to pay Pa anything like what his stock was worth.
"I see," said Billy, "you are being squeezed by the stronger party."
He was looking out of the window in an abstracted sort of way, but he came to when I answered that, personally, I hadn't been conscious of anything of the sort.
When the conversation got around to the business again, Billy told me that Goucher—a Missourian that the Pruntys had injected into the business, and who was perfectly slavish in his subserviency to Enos—had been quizzing around Billy, trying to find out what ailed Pa, and if it was anything serious.
"I didn't like the little emissary," said Billy, "and so I told him that Mr. Blunt was precariously ill, with a complication of Bright's disease in its tertiary stage, and locomotor ataxia. He wrote down the Bright's disease and asked me how to spell the other. I told him that the Bright's disease would probably terminate fatally before he could master so much orthography; and still he didn't tumble! Goucher went away conscious of having performed well an important piece of work. I can't help thinking now that this incident has more significance than I then supposed."
He sat puckering up his brows for a long time, and I let him pucker.
At last he said: "Dolly, I shouldn't a bit wonder if they are trying to take some advantage of a dying man. I can see how they work the problem out. 'Here is a sick man,' they say, 'who has been doing the work of half a dozen for twenty years. He is going to pieces physically. If he has some fatal disease, and knows it, we can settle with him, and make him pay a few hundred thousand dollars for the privilege of getting his daughter's inheritance disentangled from a business which she can't run, and in which she will be at the mercy of—of people with whom her relations are a little strained. But first, we'll find out just how sick he is, and whether he's likely to get well soon, or at all.' And so they send Goucher mousing about; and he reports Bright's disease, and something else he can't spell, and they make an appointment with Helmerston for to-morrow morning to find out more about it, Mr. Goucher not being very clear. And your father's rather fierce manner of hiding what his ailment really is makes them all the more suspicious."
"You tell them," said I, firing up, "that Pa is still able—"