We had come to the end of his journey, now—a little country station—and he left the train without a word to me or a backward look, his huge hat drawn down over his eyes. I felt that I had seen a curious, dark, dramatic, badly-drawn, wildly-conceived and Dantesque painting. He climbed into a carriage which stood by the platform, and to which was harnessed a pair of magnificent coach-bred horses which plunged and reared fearfully as the train swept into the station, and were held, easily and by main strength, like dogs or sheep, by a giant in the conveyance who must have been Tom or Wallace. From time to time, the steeds gathered their feet together, trampled the earth in terror, and then surged on the bits. The giant never deigned even to look at them. He held the lines, stiff as iron straps, in one hand, took his father's bag in the other, threw the big horses to the right by a cruel wrench of the lines to make room for his father to climb in, which he did without a word. As the springs went down under the weight the horses dashed away like the wind, the young man guiding them by that iron right hand with facile horsemanship, and looking, not at the road, but at his father. As they passed out of sight the father of Captain Hawes turned, looked at me, and waved his hand. I thought I had seen him for the last time, and went back to get the story from the soldiers.
"It wasn't so much the way he brought the datto into camp," said one of them, "or the way he always worked his way to the last bally front peak of the fighting line. It takes a guy with guts to do them things; but that goes with the game—understand? But he knew more'n anybody in the regiment about keepin' well. He made the boys take care of themselves. When a man is layin' awake scheming to keep the men busy and healthy, there's always a job for him.... And he had a way of making the boys keep their promises.... And he's come home to die, and leave that girl of his—and all the chances he's had in a business way if he wants to leave the army. It don't seem right! The boys say the president has invited him to lunch; and he's got sugar-plantation and minin' jobs open to him till you can't rest.... And to be done by a cussed poison Moro kris! But he got Mr. Moro—played even; an' that's as good as a man can ask, I guess. Hell, how slow this train goes!"
As I have said, I never expected to see my big farmer again; but I did. I completed my business; returned the way I came, passed the great farm after dusk, and the next morning was in the city where I first saw him. Looking ahead as I passed along the street I noticed, towering above every form, and moving in the press like a three-horse van among baby carriages, the vast bulk of the captain's father. He turned aside into a marble-cutter's yard, and stood, looking at the memorial monuments which quite filled it until it looked like a cemetery vastly overplanted. I felt disposed to renew our acquaintance, and spoke to him. He offered me his hand, and when I accepted it he stood clinging to mine, standing a little stooped, the eyes bloodshot, the iron mouth pitifully drooped at the corners, the whole man reminding me of a towering cliff shaken by an earthquake, but mighty and imposing still. He held a paper in his free hand, which he examined closely while retaining the handclasp, and in a way I had come to expect of him, he commenced in the midst of his thought and without verbal salutation.
"We've buried Jack!" said he.
"I'm deeply sorry!" said I.
"Well," said he, "maybe it's just as well.... He was ... you know!... But mother takes it hard—hard!... I'm contractin' f'r a tombstun.... He wanted to see me ... at the last.... 'Dad,' says he, jest as he used to when he was ... was a little feller, ... 'I want you to forgive me before I die.... It's a big country where I'm going, ... an' ... you and I may never run into each other—so forgive me! Mother'll find me—wherever I go ... but you, Dad, ... for fear it's our last chance, let's square up now!' ... I ... I ..."
He went out among the stones and seemed to be looking the stock over. Presently, he returned and showed me the paper. It was what a printer would call "copy" for an inscription—the name, the dates, the age of Captain John Hawes—severe, laconic. At the bottom were two or three lines scrawled in a heavy, ponderous hand, with the half-inch lead of a lumber pencil. Only one fist could produce that Polyphemus chirography.
"He went out a private," it read, "and came back a captain." And then, as if by afterthought, and in huge capitals, came the line: "And died a Christian."
"Is that all right?" he asked. "Is the spellin' all right?... I don't care much about this soldier business ... an' the Christian game ... don't interest me ... a little bit, ... but, neighbor, you don't know how that'll please mother! 'Died a Christian!' ... Someway ... mother ... always loved Jack!"
At the turning of the street I looked and saw the last scene of the drama—one that will play itself before me from time to time in retrospect for ever. The great, unhewn, mountainous block was still there, standing among his more shapely and polished brother stones, a human monolith, the poor, pitiful paper in his trembling hand.