"True, true," said Diggle suavely; "but in the Indies, you see, we don't draw fine distinctions. We are all bucaneers in a sense; some with the sword, others the ledger. Throw in your lot frankly with me; I will stand your friend."
"You are wasting your breath and your eloquence," interrupted Desmond firmly, "and even if I were tempted to agree, as I never could be, I should remember who is talking to me."
Then he added with a whimsical smile, "Come, Mr. Diggle, you are fond of quotations; I am not; but there's one I remember--'I fear the Greeks, though'--"
"You young hound!" cried Diggle, his sallow face becoming purple. His anger, it seemed to Desmond afterwards reflecting on it, was out of proportion to the cause of offense. "You talk of my eloquence. By heaven, when I see you again I shall use it otherwise. You shall hear something of how Angria wreaks his vengeance; you shall have a foretaste of the sweets in store for an obstinate, recalcitrant pig-headed fool!"
He strode away, leaving Desmond a prey to the gloomiest anticipations.
That evening, when the prisoners were squatting outside the shed for the usual hour of talk before being locked up for the night, a new feature was added to the entertainment. One of the Marathas had somehow possessed himself of a tom tom, and proved himself an excellent performer on that weird instrument. While he tapped its sides, his fellow Maratha, in a strange hard tuneless voice, chanted a song, repeating its single stanza again and again without apparently wearying his hearers, and clapping his hand to mark the time.
It was a song about a banya {merchant} with a beautiful young daughter-in-law, whom he appointed to deal out the daily handful of flour expected as alms by every beggar who passed his door. Her hands being much smaller than his own, he pleased himself with the idea that, without losing his reputation for charity, he would give away through her much less grain than if he himself performed the charitable office. But it turned out bad thrift, for so beautiful was she that she attracted to the door not only the genuine beggars, but also many, both young and old, who had disguised themselves in mendicant rags for the mere pleasure of beholding her and getting from her a smile and a gentle word.
It was a popular song, and the warder himself was tempted to stay and listen until, the hour for locking up being past, he at last recollected his duty and bundled the prisoners into the shed.
"Sing inside if you must," he said, "but not too loud, lest the overseer come with the bamboo."
Inside the shed, reclining on their charpoys, the men continued their performance, changing their song, though not, as it seemed to Desmond, the tune. He, however, was perhaps not sufficiently attentive to the monotonous strains; for, as soon as the warder had left the yard, he had unlocked his fetters and begun to work in the darkness. Poised on one of the rafters, he held on with one hand to a joist, and with the other plied a small saw, well greased with ghi. The sound of the slow careful movements of the tool was completely drowned by the singing and the hollow rat-a-pan of the tom tom. Beneath him stood the Babu, extending his dhoti like an apron, and catching in it the falling shower of sawdust.