Sixthly, we have cases in which the same apparition has been seen by several separate and independent persons in the same room or house, and afterwards they have recognized the features of this person in a photograph shown them—the photograph of the person supposed to haunt that particular house. If we were to believe that a simple hallucination caused the figure, how account for this identification? Surely the theory is far-fetched!

For all these reasons, therefore, and others it would be possible to mention, there is much to be said in favor of this theory of haunted houses; the theory which says that the figures seen are real, semi-material entities.

THE CLOTHES OF GHOSTS

(2). The second view, opposed to that mentioned above, is this: Someone living in a house has experienced a hallucination, and then seen the same thing over and over again, by reason of auto-suggestion; or, if he moves away, and another tenant takes the house in turn, the thoughts of this second tenant are influenced, through thought-transference, by the first tenant, who broods and thinks over his experiences in the “haunted house,” wonders whether the people now living in it are experiencing phenomena, etc. In this way, the minds of those living in the house are constantly influenced by thought-transference by living minds; and hallucinatory figures are produced in them, just as the picture of a playing card is induced in experimental thought-transference.

There are two things to be said in favor of such a theory. In the first place, we have the analogy which telepathic experiments give us, in which certain visual images are undoubtedly transmitted from one mind to another; and it is natural to assume that an extension of this same process might account for many of the phantasmal forms seen in haunted houses, as explained elsewhere.

In the second place, we immediately surmount the difficulty presented by the ghost’s clothes. This is a stumbling-block to many investigators. However much we might believe that an etheric or astral or spiritual body might continue to persist after death, it is hard to believe that the clothes of the person who died also had “spiritual counterparts,” and returned with him, to visit the earth and the scenes of former joys and miseries! We seldom read of a ghost without clothes; nude ghosts are not the fashion! Yet if we cannot believe this, how are we to explain this difficulty—and the fact that ghosts wear ghostly garments?

If the ghost were a hallucination, we could understand all this easily enough. The clothes were imaginary, just as the figure was; they formed part of the mental image, just like the figures seen in dreams, etc. This, therefore, is one very strong point in favor of this hypothesis; but if the ghost is a real, outstanding entity, how account for his clothes?

Several tentative explanations have been forthcoming. In the first place, it has been suggested that all ghosts are in reality partial “materializations” and that it is possible for a spirit to materialize and form drapery as well as solid flesh and bone. Both are a sort of condensation of matter, in varying degrees.

Again, it has been suggested that a spirit has the power to create objects by the power of will; by merely thinking and willing to do so. In this way, man would be a real creator, in a miniature scale, and certain analogies could be found for this in the material world. The returning spirit would desire to return clothed; and this very desire would create the fitting garb. Other theories have been advanced, but the above are the simplest and most intelligible, and are all we need consider at present.