Don't—don't! And this is the day I had looked forward to for so many weary months; my music has found a great man who believes in it, and on that day my spirit is sunken within me; I am waiting to give my father a blow that may kill him, and the woman I love so tenderly is sobbing her foolish little heart out on my knee!
Rosa.
[Springing up.] Not now! I have stopped sobbing—the tears have cleared my eyes—I see better than you! I will not have you magnify the doubt I threw into my angry words. There was no doubt; I spoke falsely. Have I not given you my life? I should not dare to doubt you! There are things that must not, shall not be done. We are going to pass through a fire of hatred, scorn, ridicule. We must have success, we must triumph, and we must protect your father from harm. Go! Tell your father you cannot marry Rebecca; tell him he must not think of that. Lead him home, speak kind words to him, but don't tell him of me. And then go to work on your Symphony. You say I inspired it. You touch my vanity. I want to inspire it to the end! Don't mind me, don't think of me. Work, work, and only let me once in a while come softly, silently, and——
[She kisses his hand.
Rafael.
Rosa! Rosa! How you tempt me! I want to do what is right. I can't tell which it is, but the child of my soul is coming forth into the world, and your kiss is so like a mother's kiss—it seems to bid me be gentle to my child—not to kill it before it is born. Oh, how I love my music—love it because it lets me express my love for you! I say the world shall never forget how I loved you when my music goes down to history! Rosa, Rosa, can you wait—can you trust me?
Rosa.
[Joyfully.] You are going to grant my prayer—you're going to wait—wait! I'm so glad—I'm so glad!
Unless they force me to it, I'll wait. I must go and find my father; it's late already. And then to the Symphony! Ah, you—you are my Symphony—it cannot fail! We must have success—and then let the Ghetto do what it can! I ought to be back in an hour. Will you steal a moment to let me tell you how things stand?