John Marr and Other Poems

By Herman Melville

With An Introductory Note By
HENRY CHAPIN

MCMXXII


CONTENTS

[INTRODUCTORY NOTE]
[JOHN MARR AND OTHER SAILORS]
[JOHN MARR AND OTHER SAILORS]
[BRIDEGROOM DICK]
[TOM DEADLIGHT]
[JACK ROY]
[SEA PIECES]
[THE HAGLETS]
[THE AEOLIAN HARP]
[TO THE MASTER OF THE METEOR]
[FAR OFF-SHORE]
[THE MAN-OF-WAR HAWK]
[THE FIGURE-HEAD]
[THE GOOD CRAFT SNOW BIRD]
[OLD COUNSEL]
[THE TUFT OF KELP]
[THE MALDIVE SHARK]
[TO NED]
[CROSSING THE TROPICS]
[THE BERG]
[THE ENVIABLE ISLES]
[PEBBLES]
[POEMS FROM TIMOLEON]
[LINES TRACED UNDER AN IMAGE OF AMOR THREATENING]
[THE NIGHT MARCH]
[THE RAVAGED VILLA]
[THE NEW ZEALOT TO THE SUN]
[MONODY]
[LONE FOUNTS]
[THE BENCH OF BOORS]
[ART]
[THE ENTHUSIAST]
[SHELLEY’S VISION]
[THE MARCHIONESS OF BRINVILLIERS]
[THE AGE OF THE ANTONINES]
[HERBA SANTA]
[OFF CAPE COLONNA]
[THE APPARITION]
[L’ENVOI]
[SUPPLEMENT]
[POEMS FROM BATTLE PIECES]
[THE PORTENT]
[FROM THE CONFLICT OF CONVICTIONS]
[THE MARCH INTO VIRGINIA]
[BALL’S BLUFF]
[THE STONE FLEET]
[THE TEMERAIRE]
[A UTILITARIAN VIEW OF THE MONITOR’S FIGHT]
[MALVERN HILL]
[STONEWALL JACKSON]
[THE HOUSE-TOP]
[CHATTANOOGA]
[ON THE PHOTOGRAPH OF A CORPS COMMANDER]
[THE SWAMP ANGEL]
[SHERIDAN AT CEDAR CREEK]
[IN THE PRISON PEN]
[THE COLLEGE COLONEL]
[THE MARTYR]
[REBEL COLOR-BEARERS AT SHILOH]
[AURORA BOREALIS]
[THE RELEASED REBEL PRISONER]
[“FORMERLY A SLAVE”]
[ON THE SLAIN COLLEGIANS]
[AMERICA]
[INSCRIPTION]
[THE FORTITUDE OF THE NORTH]
[THE MOUND BY THE LAKE]
[ON THE SLAIN AT CHICKAMAUGA]
[AN UNINSCRIBED MONUMENT]
[ON THE GRAVE OF A YOUNG CAVALRY OFFICER KILLED IN THE VALLEY OF VIRGINIA]
[A REQUIEM]
[COMMEMORATIVE OF A NAVAL VICTORY]
[A MEDITATION]
[POEMS FROM MARDI]
[WE FISH]
[INVOCATION]
[DIRGE]
[MARLENA]
[PIPE SONG]
[SONG OF YOOMY]
[GOLD]
[THE LAND OF LOVE]
[POEMS FROM CLAREL]
[DIRGE]
[EPILOGUE]

INTRODUCTORY NOTE

Melville’s verse printed for the most part privately in small editions from middle life onward after his great prose work had been written, taken as a whole, is of an amateurish and uneven quality. In it, however, that loveable freshness of personality, which his philosophical dejection never quenched, is everywhere in evidence. It is clear that he did not set himself to master the poet’s art, yet through the mask of conventional verse which often falls into doggerel, the voice of a true poet is heard. In selecting the pieces for this volume I have put in the vigorous sea verses of John Marr in their entirety and added those others from his Battle Pieces, Timoleon, etc., that best indicate the quality of their author’s personality. The prose supplement to battle pieces has been included because it does so much to explain the feeling of his war verse and further because it is such a remarkably wise and clear commentary upon those confused and troublous days of post-war reconstruction. H. C.

JOHN MARR AND OTHER SAILORS