Gliding in upon Yammo, its many islets greeted us like a little Mardi; but ever and anon we started at long lines of phantoms in the water, reflections of the long line of images on the shore.
Toward the islet of Dolzono we first directed our way; and there we beheld the great gallery of the gods; a mighty temple, resting on one hundred tall pillars of palm, each based, below the surface, on the buried body of a man; its nave one vista of idols; names carved on their foreheads: Ogre, Tripoo, Indrimarvoki, Parzillo, Vivivi, Jojijojorora, Jorkraki, and innumerable others.
Crowds of attendants were new-grouping the images.
“My lord, you behold one of their principal occupations,” said Mohi.
Said Media: “I have heard much of the famed image of Mujo, the Nursing Mother;—can you point it out, Braid-Beard?”
“My lord, when last here, I saw Mujo at the head of this file; but they must have removed it; I see it not now.”
“Do these attendants, then,” said Babbalanja, “so continually new-marshal the idols, that visiting the gallery to-day, you are at a loss to-morrow?”
“Even so,” said Braid-Beard. “But behold, my lord, this image is Mujo.”
We stood before an obelisk-idol, so towering, that gazing at it, we were fain to throw back our heads. According to Mohi, winding stairs led up through its legs; its abdomen a cellar, thick-stored with gourds of old wine; its head, a hollow dome; in rude alto-relievo, its scores of hillock-breasts were carved over with legions of baby deities, frog-like sprawling; while, within, were secreted whole litters of infant idols, there placed, to imbibe divinity from the knots of the wood.
As we stood, a strange subterranean sound was heard, mingled with a gurgling as of wine being poured. Looking up, we beheld, through arrow-slits and port-holes, three masks, cross-legged seated in the abdomen, and holding stout wassail. But instantly upon descrying us, they vanished deeper into the interior; and presently was heard a sepulchral chant, and many groans and grievous tribulations.