The old man was a sight to see; especially his nose; a remarkable one. And all Mardi over, a remarkable nose is a prominent feature: an ever obvious passport to distinction. For, after all, this gaining a name, is but the individualizing of a man; as well achieved by an extraordinary nose, as by an extraordinary epic. Far better, indeed; for you may pass poets without knowing them. Even a hero, is no hero without his sword; nor Beelzebub himself a lion, minus that lasso-tail of his, wherewith he catches his prey. Whereas, he who is famous through his nose, it is impossible to overlook. He is a celebrity without toiling for a name. Snugly ensconced behind his proboscis, he revels in its shadow, receiving tributes of attention wherever he goes.
Not to enter at large upon the topography of Oh-Oh’s nasal organ, all must be content with this; that it was of a singular magnitude, and boldly aspiring at the end; an exclamation point in the face of the wearer, forever wondering at the visible universe. The eyes of Oh-Oh were like the creature’s that the Jew abhors: placed slanting in his head, and converging their rays toward the mouth; which was no Mouth, but a gash.
I mean not to be harsh, or unpleasant upon thee, Oh-Oh; but I must paint thee as thou wert.
The rest of his person was crooked, and dwarfed, and surmounted by a hump, that sat on his back like a burden. And a weary load is a hump, Heaven knows, only to be cast off in the grave.
Thus old, and antiquated, and gable-ended, was the tabernacle of Oh-Oh’s soul. But his person was housed in as curious a structure. Built of old boughs of trees blown down in the groves, and covered over with unruly thatching, it seemed, without, some ostrich nest. But within, so intricate, and grotesque, its brown alleys and cells, that the interior of no walnut was more labyrinthine.
And here, strewn about, all dusty and disordered, were the precious antiques, and curios, and obsoletes, which to Oh-Oh were dear as the apple of his eye, or the memory of departed days.
The old man was exceedingly importunate, in directing attention to his relics; concerning each of which, he had an endless story to tell. Time would fail; nay, patience, to repeat his legends. So, in order, here follow the most prominent of his rarities:—
The identical Canoe, in which, ages back, the god Unja came from the bottom of the sea. (Very ponderous; of lignum-vitae wood).
A stone Flower-pot, containing in the original soil, Unja’s last footprints, when he embarked from Mardi for parts unknown. (One foot-print unaccountably reversed).
The Jaw-bones of Tooroorooloo, a great orator in the days of Unja. (Somewhat twisted).