Pacing beneath the long-skirting shadows of the elevated wood, waiting for the appointed hour to come, Pierre strangely strove to imagine to himself the scene which was destined to ensue. But imagination utterly failed him here; the reality was too real for him; only the face, the face alone now visited him; and so accustomed had he been of late to confound it with the shapes of air, that he almost trembled when he thought that face to face, that face must shortly meet his own.
And now the thicker shadows begin to fall; the place is lost to him; only the three dim, tall lindens pilot him as he descends the hill, hovering upon the house. He knows it not, but his meditative route is sinuous; as if that moment his thought’s stream was likewise serpentining: laterally obstructed by insinuated misgivings as to the ultimate utilitarian advisability of the enthusiast resolution that was his. His steps decrease in quickness as he comes more nigh, and sees one feeble light struggling in the rustic double-casement. Infallibly he knows that his own voluntary steps are taking him forever from the brilliant chandeliers of the mansion of Saddle Meadows, to join company with the wretched rush-lights of poverty and woe. But his sublime intuitiveness also paints to him the sun-like glories of god-like truth and virtue; which though ever obscured by the dense fogs of earth, still shall shine eventually in unclouded radiance, casting illustrative light upon the sapphire throne of God.
II.
HE stands before the door; the house is steeped in silence; he knocks; the casement light flickers for a moment, and then moves away; within, he hears a door creak on its hinges; then his whole heart beats wildly as the outer latch is lifted; and holding the light above her supernatural head, Isabel stands before him. It is herself. No word is spoken; no other soul is seen. They enter the room of the double casement; and Pierre sits down, overpowered with bodily faintness and spiritual awe. He lifts his eyes to Isabel’s gaze of loveliness and loneliness; and then a low, sweet, half-sobbing voice of more than natural musicalness is heard:—
“And so, thou art my brother;—shall I call thee Pierre?”
Steadfastly, with his one first and last fraternal inquisition of the person of the mystic girl, Pierre now for an instant eyes her; and in that one instant sees in the imploring face, not only the nameless touchingness of that of the sewing-girl, but also the subtler expression of the portrait of his then youthful father, strangely translated, and intermarryingly blended with some before unknown, foreign feminineness. In one breath, Memory and Prophecy, and Intuition tell him—“Pierre, have no reserves; no minutest possible doubt;—this being is thy sister; thou gazest on thy father’s flesh.”
“And so thou art my brother!—shall I call thee Pierre?”
He sprang to his feet, and caught her in his undoubting arms.
“Thou art! thou art!”