“Come along, Redburn,” said he.
So making no doubt we were off for a ramble, perhaps to Apsley House, in the Park, to get a sly peep at the old Duke before he retired for the night, for Harry had told me the Duke always went to bed early, I sprang up to follow him; but what was my disappointment and surprise, when he only led me into the passage, toward a staircase lighted by three marble Graces, unitedly holding a broad candelabra, like an elk’s antlers, over the landing.
We rambled up the long, winding slope of those aristocratic stairs, every step of which, covered with Turkey rugs, looked gorgeous as the hammer-cloth of the Lord Mayor’s coach; and Harry hied straight to a rosewood door, which, on magical hinges, sprang softly open to his touch.
As we entered the room, methought I was slowly sinking in some reluctant, sedgy sea; so thick and elastic the Persian carpeting, mimicking parterres of tulips, and roses, and jonquils, like a bower in Babylon.
Long lounges lay carelessly disposed, whose fine damask was interwoven, like the Gobelin tapestry, with pictorial tales of tilt and tourney. And oriental ottomans, whose cunning warp and woof were wrought into plaited serpents, undulating beneath beds of leaves, from which, here and there, they flashed out sudden splendors of green scales and gold.
In the broad bay windows, as the hollows of King Charles’ oaks, were Laocoon-like chairs, in the antique taste, draped with heavy fringes of bullion and silk.
The walls, covered with a sort of tartan-French paper, variegated with bars of velvet, were hung round with mythological oil-paintings, suspended by tasseled cords of twisted silver and blue.
They were such pictures as the high-priests, for a bribe, showed to Alexander in the innermost shrine of the white temple in the Libyan oasis: such pictures as the pontiff of the sun strove to hide from Cortez, when, sword in hand, he burst open the sanctorum of the pyramid-fane at Cholula: such pictures as you may still see, perhaps, in the central alcove of the excavated mansion of Pansa, in Pompeii—in that part of it called by Varro the hollow of the house: such pictures as Martial and Seutonius mention as being found in the private cabinet of the Emperor Tiberius: such pictures as are delineated on the bronze medals, to this day dug up on the ancient island of Capreas: such pictures as you might have beheld in an arched recess, leading from the left hand of the secret side-gallery of the temple of Aphrodite in Corinth.
In the principal pier was a marble bracket, sculptured in the semblance of a dragon’s crest, and supporting a bust, most wonderful to behold. It was that of a bald-headed old man, with a mysteriously-wicked expression, and imposing silence by one thin finger over his lips. His marble mouth seemed tremulous with secrets.
“Sit down, Wellingborough,” said Harry; “don’t be frightened, we are at home.—Ring the bell, will you? But stop;”— and advancing to the mysterious bust, he whispered something in its ear.