At last the people were piped to dinner; two bells struck; and soon after, all who could be spared from their stations hurried to the half-deck. The capstan bars were placed on shot-boxes, as at prayers on Sundays, furnishing seats for the audience, while a low stage, rigged by the carpenter’s gang, was built at one end of the open space. The curtain was composed of a large ensign, and the bulwarks round about were draperied with the flags of all nations. The ten or twelve members of the brass band were ranged in a row at the foot of the stage, their polished instruments in their hands, while the consequential Captain of the Band himself was elevated upon a gun carriage.
At three bells precisely a group of ward-room officers emerged from the after-hatchway, and seated themselves upon camp-stools, in a central position, with the stars and stripes for a canopy. That was the royal box. The sailors looked round for the Commodore but neither Commodore nor Captain honored the people with their presence.
At the call of a bugle the band struck up Hail Columbia, the whole audience keeping time, as at Drury Lane, when God Save The King is played after a great national victory.
At the discharge of a marine’s musket the curtain rose, and four sailors, in the picturesque garb of Maltese mariners, staggered on the stage in a feigned state of intoxication. The truthfulness of the representation was much heightened by the roll of the ship.
“The Commodore,” “Old Luff,” “The Mayor,” and “Gin and Sugar Sall,” were played to admiration, and received great applause. But at the first appearance of that universal favourite, Jack Chase, in the chivalric character of Percy Royal-Mast, the whole audience simultaneously rose to their feet, and greeted hire with three hearty cheers, that almost took the main-top-sail aback.
Matchless Jack, in full fig, bowed again and again, with true quarter-deck grace and self possession; and when five or six untwisted strands of rope and bunches of oakum were thrown to him, as substitutes for bouquets, he took them one by one, and gallantly hung them from the buttons of his jacket.
“Hurrah! hurrah! hurrah!—go on! go on!—stop hollering—hurrah!—go on!—stop hollering—hurrah!” was now heard on all sides, till at last, seeing no end to the enthusiasm of his ardent admirers, Matchless Jack stepped forward, and, with his lips moving in pantomime, plunged into the thick of the part. Silence soon followed, but was fifty times broken by uncontrollable bursts of applause. At length, when that heart-thrilling scene came on, where Percy Royal-Mast rescues fifteen oppressed sailors from the watch-house, in the teeth of a posse of constables, the audience leaped to their feet, overturned the capstan bars, and to a man hurled their hats on the stage in a delirium of delight. Ah Jack, that was a ten-stroke indeed!
The commotion was now terrific; all discipline seemed gone for ever; the Lieutenants ran in among the men, the Captain darted from his cabin, and the Commodore nervously questioned the armed sentry at his door as to what the deuce the people were about. In the midst of all this, the trumpet of the officer-of-the-deck, commanding the top-gallant sails to be taken in, was almost completely drowned. A black squall was coming down on the weather-bow, and the boat-swain’s mates bellowed themselves hoarse at the main-hatchway. There is no knowing what would have ensued, had not the bass drum suddenly been heard, calling all hands to quarters, a summons not to be withstood. The sailors pricked their ears at it, as horses at the sound of a cracking whip, and confusedly stumbled up the ladders to their stations. The next moment all was silent but the wind, howling like a thousand devils in the cordage.
“Stand by to reef all three top-sails!—settle away the halyards!—haul out—so: make fast!—aloft, top-men! and reef away!”
Thus, in storm and tempest terminated that day’s theatricals. But the sailors never recovered from the disappointment of not having the “True Yankee Sailor” sung by the Irish Captain of the Head.