Her flippancy masked a disquiet so grave as to drive away the desire for sleep. Clad only in her bed-gown, she drew a chair up to the stove, which returned her thoughtful gaze through two red monocles of isinglass. In her fair-play was associated with its companion virtue frankness, and in no wise could she read a mite of the former quality into Elinor Leslie's intent towards Helen. After many uneasy shruggings, she rose, took the lamp, and walked into the other bedroom.
"Misplaced my comb," she answered Mrs. Leslie's sleepy inquiry. "Lend me yours." Then she paused at the foot of the bed.
Helen had coiled her hair for the night, but its unruly masses had loosened and ran, a perfect cataract of gold, over her pillow. Against that auriferous background lay her head and face, with its delicate creams and pinks sinking into the plumpness of one white arm. The other was folded over the softness of her bosom. Mrs. Jack thought her asleep till her eyes opened, then, returning the girl's smile, she tiptoed back to her fire.
"It's a damned shame," she told herself, profanely, but truly, and with such vigor that Edith Newton sleepily asked: "What's the matter? Aren't you ever coming to bed, Maud?"
"Saying my prayers. Go to sleep."
"Put in a word for me," the other murmured.
"The Lord knows that you need it." Mrs. Jack glanced at the bed, then returned to her musings. "Of course she's a little fool. If she goes back to her husband she will have to settle down to the humdrum of settler life—raise calves, chickens, pigs, and children in the fear of the Lord, with only a church picnic or some such wild dissipation to break the deadly monotony. A pleasing prospect, I must say. But if it suits her—well, I'm not going to see her delivered, bound and bleating, into the hands of the devil, alias Calvert Molyneux. It seems a shame, either way, but she undoubtedly loves her settler hubby, and she's just the kind to eat her heart out through remorse and shame. And here is Elinor blackening her reputation with the pig settlers to whom she must look for a living, making reconciliation impossible! Well, I'm going to speak to the little fool to-morrow."
This she did, making her opportunity by carrying Helen off to her bedroom, where, having disposed her victim in a comfortable chair, she herself snuggled down upon the bed and went with customary frankness straight to the heart of her subject. "I want to know, Helen Carter, why you are here?"
Puzzled, Helen stared; then, interpreting by the smile, she answered, "I—really, I—don't know."
"A—pretty—poor—reason!" She shook her finger in affected anger. "Don't you know that you don't belong? Now don't flare up! If I were Edith Newton, or Elinor, the cat, you might suspect a reflection. It isn't that you are below grade—just the opposite. Frankly, my dear, we are a rotten lot. A sweet girl, with conscience and morality has no business among us. We couldn't scrape up enough of either article to outfit a respectable cat. Don't blush. I'm not envying you your conscience. It is a most uncomfortable asset, and, given choice of two evils, I'd take a harelip. But, as you have one—well, you'd better mizzle—go home, you know."