"'And art thou dead? so is my enmity:

I war not with the dead.'

"Baretti's papers—manuscripts I mean—have been all burnt by his executors without examination, they tell me. So great was his character as a mischief-maker, that Vincent and Fendall saw no nearer way to safety than that hasty and compendious one. Many people think 'tis a good thing for me, but as I never trusted the man, I see little harm he could have done me."

In the fury of his onslaught Baretti forgot that he was strengthening her case against Johnson, of whom he says: "His austere reprimand, and unrestrained upbraidings, when face to face with her, always delighted Mr. Thrale and were approved even by her children. 'Harry,' said his father to her son, 'are you listening to what the doctor and mamma are talking about?' 'Yes, papa.' And quoth Mr. Thrale, 'What are they saying?' 'They are disputing, and mamma has just such a chance with Dr. Johnson as Presto (a little dog) would have were he to fight Dash (a big one).'" He adds that she left the room in a huff to the amusement of the party. If scenes like this were frequent, no wonder the "yoke" became unendurable.

Baretti was obliged to admit that, when Johnson died, they were not on speaking terms. His explanation is that Johnson irritated him by an allusion to his being beaten by Omai, the Sandwich Islander, at chess. Mrs. Piozzi's marginal note on Omai is: "When Omai played at chess and at backgammon with Baretti, everybody admired at the savage's good breeding and at the European's impatient spirit."

Amongst her papers was the following sketch of his character, written for "The World" newspaper.

"Mr. Conductor.—Let not the death of Baretti pass unnoticed by 'The World,' seeing that Baretti was a wit if not a scholar: and had for five-and-thirty years at least lived in a foreign country, whose language he so made himself completely master of, that he could satirise its inhabitants in their own tongue, better than they knew how to defend themselves; and often pleased, without ever praising man or woman in book or conversation. Long supported by the private bounty of friends, he rather delighted to insult than flatter; he at length obtained competence from a public he esteemed not: and died, refusing that assistance he considered as useless—leaving no debts (but those of gratitude) undischarged; and expressing neither regret of the past, nor fear of the future, I believe. Strong in his prejudices, haughty and independent in his spirit, cruel in his anger,—even when unprovoked; vindictive to excess, if he through misconception supposed himself even slightly injured, pertinacious in his attacks, invincible in his aversions: the description of Menelaus in 'Homer's Iliad,' as rendered by Pope, exactly suits the character of Baretti:

"'So burns the vengeful Hornet, soul all o'er,

Repuls'd in vain, and thirsty still for gore;

Bold son of air and heat on angry wings,