Such society, however, can please a stranger only as it is odd and as it is new; when ceremony ceases, hilarity is left in a state too natural not to offend people accustomed to scenes of high civilization; and I suppose few of us could return, after twenty-five years old, to the coarse comforts of a roll and treacle.
Another style of amusement, very different from this last, called us out, two or three days ago, to hear the famous Passione de Metastasio sung in St. Celso's church. The building is spacious, the architecture elegant, and the ornaments rich. A custom too was
on this occasion omitted, which I dislike exceedingly; that of deforming the beautiful edifices dedicated to God's service with damask hangings and gold lace on the capitals of all the pillars upon days of gala, so very perversely, that the effect of proportion is lost to the eye, while the church conveys no idea to the mind but of a tattered theatre; and when the frippery decorations fade, nothing can exclude the recollection of an old clothes shop. St. Celso was however left clear from these disgraceful ornaments: there assembled together a numerous and brilliant, if not an attentive audience; and St. Peter's part in the oratorio was sung by a soprano voice, with no appearance of peculiar propriety to be sure; but a satirical nobleman near me said, that "Nothing could possibly be more happily imagined, as the mutilation of poor St. Peter was continuing daily, and in full force;" alluding to the Emperor's rough reformations: and he does not certainly spare the coat any more than Jack in our Tale of a Tub, when he is rending away the embroidery. Here, however, the parallel must end; for Jack, though zealous, was never accused of burning the lace, if I remember
right, and putting the gold in his pocket. It happened oddly, that chatting freely one day before dinner with some literary friends on the subject of coat armour, we had talked about the Visconti serpent, which is the arms of Milan; and the spread eagle of Austria, which we laughingly agreed ought to eat double because it had two necks: when the conversation insensibly turned on the oppressions of the present hour; and I, to put all away with a joke, proposed the fortes Homericæ to decide on their future destiny. Somebody in company insisted that I should open the book—I did so, at the omen in the twelfth book of the Iliad, and read these words:
Jove's bird on sounding pinions beat the skies;
A bleeding serpent of enormous size
His talons trussed; alive and curling round
She stung the bird, whose throat receiv'd the wound.
Mad with the smart he drops the fatal prey,
In airy circles wings his painful way,
Floats on the winds, and rends the heavens with cries:
Amid the hosts the fallen serpent lies;
They, pale with terror, mark its spires unroll'd,
And Jove's portent with beating hearts behold.
It is now time to talk a little of the theatre; and surely a receptacle so capacious to contain four thousand people, a place of entrance so commodious to receive them, a show so princely, so very magnificent to entertain them, must be sought in vain out of Italy. The centre front box, richly adorned with gilding, arms, and trophies, is appropriated to the court, whose canopy is carried up to what we call the first gallery in England; the crescent of boxes ending with the stage, consist of nineteen on a side, small boudoirs, for such they seem; and are as such fitted up with silk hangings, girandoles, &c. and placed so judiciously as to catch every sound of the fingers, if they do but whisper: I will not say it is equally advantageous to the figure, as to the voice; no performers looking adequate to the place they recite upon, so very stately is the building itself, being all of stone, with an immense portico, and stairs which for width you might without hyperbole drive your chariot up. An immense sideboard at the first lobby, lighted and furnished with luxurious and elegant plenty, as many people send for suppers to their box, and entertain a knot of friends there with infinite
convenience and splendour. A silk curtain, the colour of your hangings, defends the closet from intrusive eyes, if you think proper to drop it; and when drawn up, gives gaiety and show to the general appearance of the whole: while across the corridor leading to these boxes, another small chamber, numbered like that it belongs to, is appropriated to the use of your servants, and furnished with every conveniency to make chocolate, serve lemonade, &c.
Can one wonder at the contempt shewn by foreigners when they see English women of fashion squeezed into holes lined with dirty torn red paper, and the walls of it covered with a wretched crimson fluff? Well! but this theatre is built in place of a church founded by the famous Beatrice de Scala, in consequence of a vow she made to erect one if God would be pleased to send her a son. The church was pulled down and the playhouse erected. The Arch-duke lost a son that year; and the pious folks cried, "A judgment!" but nobody minded them, I believe; many, however, that are scrupulous will not go. Meantime it is a beautiful theatre to be sure; the finest fabric raised in modern days,
I do believe, for the purposes of entertainment; but we must not be partial. While London has twelve capital rooms for the professed amusement of the Public, Milan has but one; there is in it, however, a ridotto chamber for cards, of a noble size, where some little gaming goes on in carnival time; but though the inhabitants complain of the enormities committed there, I suppose more money is lost and won at one club in St. James's street during a week, than here at Milan in the whole winter.
Every nation complains of the wickedness of its own inhabitants, and considers them as the worst people in the world, till they have seen others no better; and then, like individuals with their private sorrows, they find change produces no alleviation. The Mount of Miseries, in the Spectator, where all the people change with their neighbours, lay down an undutiful son, and carry away with them a hump-back, or whatever had been the source of disquiet to another, whom he had blamed for bearing so ill a misfortune thought trifling till he took it on himself, is an admirably well constructed fable, and