This is a town full of beauties, wits, and rarities: numberless persons of the first eminence have always adorned it, and the present inhabitants have no mind to degenerate; while the Nobleman that is immediately descended from that house which Giambattista della Torre made famous for his skill in astronomy, employs himself in a much more useful, if not a nobler study; and is completing for the press a new system of education. It was very petulantly, and very spitefully said by Voltaire, that Italy was now no more than la boutique[The old clothes shop], and the Italians, les merchands fripiers de l'Europe[The slop-sellers of Europe]. The Greek remains here have still an air of youthful elegance about them, which strikes one very forcibly where so good opportunity offers of comparing them with the fabrics formed by their destructive successors, the Goths; who have left some fine old black-looking
monuments (which look as if they had stood in our coal smoke for centuries) to the memory of the Scaligers; and surely the great critic of that name could not have taken a more certain method of proving his descent from these his barbarous ancestors, than that which his relationship to them naturally, I suppose, inspired him with—the avowed preference of birth to talents, of long-drawn genealogy to hardly-acquired literature. We will however grow less prejudiced ourselves; and since there are still whole nations of people existing, who consider the counting up many generations back as a felicity not to be exchanged for any other without manifest loss, we may possibly reconcile the opinion to common sense, by reflecting that one preconception of the sovereign good is, that it should certainly be indeprivable and except birth, what is there earthly after all that may not drop, or else be torn from its possessor by accident, folly, force, or malice?
James Harris says, that virtue answers to the character of indeprivability, but one is left only to wish that his position were true; the continuance of virtue depends on the
continuance of reason, from which a blow on the head, a sudden fit of terror, or twenty other accidents may separate us in a moment. Nothing can make us not one's father's child however, and the advantages of blood, such as they are, may surely be deemed indeprivable.
Gothic and Grecian architecture resembles Gothic and Grecian manners, which naturally do give their colour to such arts as are naturally the result of them. Tyranny and gloomy suspicion are the characteristics of the one, openness and sociability strongly mark the other—when to the gay portico succeeded the sullen drawbridge, and to the lively corridor, a secret passage and a winding staircase.
It is difficult, if not impossible however, to withhold one's respect from those barbarians who could thus change the face of art, almost of nature; who could overwhelm courage and counteract learning; who not only devoured the works of wisdom and the labours of strength, but left behind them too a settled system of feudatorial life and aristocratic power, still undestroyed in Europe, though
hourly attacked, battered by commerce, and sapped by civilization.
When Smeathman told us about twelve years ago, how an immense body of African ants, which appeared, as they moved forwards, like the whole earth in agitation—covered and suddenly arrested a solemn elephant, as he grazed unsuspiciously on the plain; he told us too that in eight hours time no trace was left either of the devasters or devasted, excepting the skeleton of the noble creature neatly picked; a standing proof of the power of numbers against single force.
These northern emigrants the Goths, however, have done more; they have fixed a mode of carrying on human affairs, that I think will never be so far exterminated as to leave no vestiges behind: and even while one contemplates the mischief they have made—even while one's pen engraves one's indignation at their success; the old baron in his castle, preceded and surrounded by loyal dependants, who desired only to live under his protection and die in his defence, inspires a notion of dignity unattainable by those who, seeking the beautiful, are by so
far removed from the sublime of life, and affords to the mind momentary images of surly magnificence, ill exchanged perhaps by fancy, though truth has happily substituted a succession of soft ideas and social comforts: knowledge, virtue, riches, happiness. Let it be remembered however, that if the theme is superior to the song, we always find those poets who live in the second class, celebrating the days past by those who had their existence in the first. These reflections are forced upon me by the view of Lombard manners, and the accounts I daily pick up concerning the Brescian and Bergamase nobility; who still exert the Gothic power of protecting murderers who profess themselves their vassals; and who still exercise those virtues and vices natural to man in his semi-barbarous state: fervent devotion, constant love, heroic friendship, on the one part; gross superstition, indulgence of brutal appetite, and diabolical revenge, on the other.