Just to sit there and watch made Peter feel that he was a part of one of the most thrilling manifestations of life. When the British went over and captured Messines Ridge Peter had watched the show from the top of Kemmel Hill. He and the other correspondents knew the exact second when the mines were to explode. They all knew that this might be the decisive push of the war. And as he waited for the great crash which would show that the attack was on Peter trembled. But the excitement didn't begin to toss him about as it did now when Harvard was playing Yale. Yes, it was true as Pat had said that there wasn't any sense to it, but there it was. It was a symbol of something much greater. Peter didn't know quite what. Maybe there was some significance for him in the fact that the Yale line was so much bigger and heavier. Harvard would have to win with speed and skill.

Maria had always said that there was no song in him. He knew that she felt he didn't appreciate beauty. But what could she ever show Pat that would pound a pulse like this. How could anybody dream of making a singer out of Pat when he might be a quarterback and after his own playing was done go on living the thing over as he watched the games year after year. And perhaps when Pat came to write he could put in it this thing that was sport, and beauty, and life and fighting and everything else worth while in life. Perhaps he could do the things that he spoke of in the letter about that English novelist, the woman that sort of soared over things and then swooped down on them. All this that was happening belonged to him and Pat. Maria and the boy had nothing like this in common. She just couldn't have an ear for football.

By and by Peter forgot all about her. He didn't even remember very much that Pat was waiting in the sidelines. The affair grew too desperate to admit of any personal considerations. The one present and compelling tragedy of Peter's life dwarfing all others was that Yale was winning. He had stationed beside him a young undergraduate from New Haven who was supposed to give him the substitutions in the Yale lineup and identify the Eli who carried the ball or made the tackle. This young man had gone a little more insane than Peter. He paid no attention to any questions, but pounded his fist on the great pile of copy paper which lay in front of Peter and shouted: "Touchdown! Touchdown! Touchdown!"

"Don't do that," said Peter. He didn't like the sentiment and he hated to have his notes knocked around. The Yale youngster didn't hear him. "Touchdown!" he screamed again and almost jarred Peter's typewriter over the edge of the Stadium.

A fumble lost three yards and halted the Yale attack. There came a punt and the Harvard quarterback raced down the field. Pat had said, "Watch Charlie Bullitt." They threw him on the fourteen yard line.

"Who made that tackle?" asked Peter.

"Hold 'em, Yale! Hold 'em, Yale!" chanted the undergraduate reporter.

Suddenly Peter jumped up scattering his notes all over the press box. His typewriter fell to the concrete with a clatter. "Harvard!" he said, and then much louder, "Harvard! Harvard!" And as he shouted the ball went over the line. It was only by chance that he happened to hit the Yale reporter on the back the first time, but he was so swept along by the wildness of the moment that he continued to slap him violently until the youngster moved away. A little later there was a field goal and presently the game was over and Harvard had won by a score of 10 to 3.

Peter didn't leave the press box immediately. He was much too shaky to attempt the journey down the long steps to the field. The Harvard stands had poured out on to the gridiron and the students were throwing their hats over the goal posts. The Yale undergraduates remained and across the field came booming, "For God! For Country! And for Yale!" Peter knew that he would have to cool off emotionally before he could write his story. That would have to tell who carried the ball and when and how far. He couldn't just write, "Harvard! Harvard! Harvard!" and let it go at that. He must make most of his story on that run of Bullitt's. The thing was almost perfect in its newspaper possibilities. It couldn't be better. The tackle which stopped the quarterback on the fourteen-yard line had knocked him out. Peter wished he knew what Dr. Nichols had said when he ran out to the player. Then he remembered somebody had told him once that the doctor had a formula which he invariably used when a player was knocked out. "What day of the week is it? Who are you playing? What's the score?" That was the test which must be passed by an injured man before he could remain in the game.

Suddenly an idea came to Peter. That was just the touch he needed. His story was made. He almost jogged all the way to the telegraph office. His first two starts were false ones. Then he achieved a sentence which suited him and pounded away steadily. No doubts assailed him. He was never forced to stop and hunt for any word. The thing just wrote itself. "There's a little trouble," said the chief operator, "but I can let you have a wire in about half an hour."