“THOU DEAR REDEEMER, DYING LAMB.”
The author, John Cennick, like Joseph Hart, was led to Christ after a reckless boyhood and youth, by the work of the Divine Spirit in his soul, independent of any direct outward influence. Sickened of his cards, novels, and playhouse pleasures, he had begun a sort of mechanical reform, when one day, walking in the streets of London, he suddenly seemed to hear the text spoken “I am thy salvation!” His consecration began at that moment.
He studied for the ministry, and became a preacher, first under direction of the Wesleys, then under Whitefield, but afterwards joined the Moravians, or “Brethren.” He was born at Reading, Derbyshire, Eng., Dec. 12, 1718, and died in London, July 4, 1755.
THE TUNE.
The word “Rhine” (in some collections—in others “Emmons”) names a revival tune once so linked with this hymn and so well known that few religious people now past middle life could enjoy singing it to any other. With a compass one note beyond an octave and a third, it utters every line with a clear, bold gladness sure to infect a meeting with its own spiritual fervor.
Thou dear Redeemer, dying Lamb,
I love to hear of Thee;
No music like Thy charming name,
Nor half so sweet can be.
The composer of the bright legato melody just described was Frederick Burgmüller, a young German musician, born in 1804. He was a remarkable genius, both in composition and execution, but his health was frail, and he did not live to fulfil the rich possibilities that lay within him. He died in 1824—only twenty years old. The tune “Rhine” (“Emmons”) is from one of his marches.