As on some lonely building's top
The sparrow makes her moan,
Far from the tents of joy and hope
I sit and grieve alone.*
* Versified by Nahum Tate from Ps. 102:7.
Maxim was fond of the minor mode, but his minors, like “Hallowell,” “New Durham,” etc., are things of the past. His major chorals and fugues, such as “Portland,” “Buckfield,” and “Turner” had in them the spirit of healthier melody and longer life. He published at least two collections, The Oriental Harmony, in 1802, and The Northern Harmony, in 1805.
William Tansur (Tans-ur), author of “St. Martins” (1669–1783), was an organist, composer, compiler, and theoretical writer. He was born at Barnes, Surrey, Eng., (according to one account,) and died at St. Neot's.
“COME, THOU FOUNT OF EVERY BLESSING.”
This hymn of Rev. Robert Robinson was almost always heard in the tune of “Nettleton,” composed by John Wyeth, about 1812. The more 330 / 284 wavy melody of “Sicily” (or “Sicilian Hymn”) sometimes carried the verses, but never with the same sympathetic unction. The sing-song movement and accent of old “Nettleton” made it the country favorite.