A number of disdainful doctors met on October 16, 1846, in the amphitheater of the Massachusetts General Hospital in Boston, to see a young medical student try to demonstrate that a patient upon whom a surgical operation was to be performed could be rendered insensible to pain. The sufferer was brought into the clear light. The young student touched his face with an unknown liquid whose strange odor filled the room. He was in oblivion. The knives cut and the blood flowed, and he knew it not. Pain was thus banished from the room of surgery. That young medical student and dentist was Dr. W. T. G. Morton, whose monument may be seen in the Boston Public Garden, and in whose honor the semicentennial of the discovery of anæsthesia has but recently been celebrated.
"So, with a few romantic boys and crazy girls you expect to see the world converted," said a wise New York journal less than a century ago, as the first missionaries began to sail away. But the song still arose over the sea—
"In the desert let me labor,
On the mountain let me till"—
until there came a missionary jubilee, whose anthems were repeated from land to land until they encircled the earth.
When Browning first published Sordello, the poem met with common ridicule. Even Alfred Tennyson is said to have remarked that "there were but two lines in it that he could understand, and they were both untrue." The first line of the poem was, "Who will, may hear Sordello's story told"; and the last line of the poem was, "Who would, has heard Sordello's story told." Yet the poem is ranked now among the intellectual achievements of the century in the analysis of one of the deeper problems of life.
Samuel F. B. Morse was laughed at. McCormick, whose invention reaps the fields of the world, was ridiculed by the London Times, "the Thunderer." "If that crazy Wheelwright calls again, do not admit him," said a British consul to his servant, of one who wished to make new ports and a new commerce for South America, and whose plans are about to harness the Andes with railways. William Wheelwright's memory lives in grateful statues now.
Columbus was not only laughed at by the Council of Salamanca, but was jeered at by the children in the streets, as he journeyed from town to town holding his orphan boy by the hand. He wandered in the visions of God and the stars, and he came to say, after the shouts of homage that greeted him as the viceroy of isles, "God made me the messenger of the new heavens and new earth, and told me where to find them!"
Burton, in his Anatomy of Melancholy, presents a picture of the unfortunate condition of many lives of whom the world expected nothing, and for whom it had only the smile of incredulity when in them the Godlike purpose appeared. He says:
"Hannibal had but one eye; Appius Claudius and Timoleon were blind, as were John, King of Bohemia, and Tiresais the prophet. Homer was blind; yet who, saith Tully, made more accurate, lively, or better descriptions with both his eyes! Democritus was blind, yet, as Laertius writes of him, he saw more than all Greece besides. . . . Æsop was crooked, Socrates purblind, Democritus withered, Seneca lean and harsh, ugly to behold; yet show me so many flourishing wits, such divine spirits. Horace, a little, blear-eyed, contemptible fellow, yet who so sententious and wise? Marcilius Ficinus, Faber Stapulensis, a couple of dwarfs; Melanchthon, a short, hard-favored man, yet of incomparable parts of all three; Galba the emperor was crook-backed; Epictetus, lame; the great Alexander a little man of stature; Augustus Cæsar, of the same pitch; Agesilaus, despicabili forma, one of the most deformed princes that Egypt ever had, was yet, in wisdom and knowledge, far beyond his predecessors."
Why do I call your attention to these struggles in this place in association of an incident of a failure in life that was ridiculed?