"But—but," he says, "I was surprised to find myself so much fuller of faults than I had imagined; but I had the satisfaction of seeing them diminish." In the spirit of this effort to correct life and to learn wisdom from experience, he gave Poor Richard's Almanac annually to the world. Like some of the proverbs of Solomon, it taught the people life as he himself learned it. For years Franklin lived in Poor Richard, and it was his pulse beat, his open heart, that gave the annual its power. All the sayings of Poor Richard were not original with Franklin. When a critical proverb, or a line from one of the poets, would express his idea or conviction better than he could himself, he used it. For example, he borrowed some beautiful lines from Pope, who in turn had received the leading thought from a satire of Horace.
While Franklin was learning wisdom from life, and expressing it through Poor Richard, he was studying French, Italian, and Spanish, and making himself the master of philosophy. "He who would thrive must rise at five," he makes Poor Richard say. He himself rose at five in the morning, and began the day with a bath and a prayer. Intelligence to intelligence!
Such was his life when Poor Richard was evolved.
Who was Poor Richard, whose influence came to lead the thought of the time?
Poor Richard was a comic almanac, or a character assumed by Benjamin Franklin, for the purpose of expressing his views of life. Having established a paper, Franklin saw the need of an annual and of an almanac, and he chose to combine the two, and to make the pamphlet a medium of hard sense in a rough, keen, droll way.
He introduces himself in this curious annual as "Richard Saunders," "Poor Richard." He has an industrious wife named Bridget. He publishes his almanac to earn a little money to meet his pressing wants. "The plain truth of the matter is," says this pretended almanac maker, "I am excessive poor, and my wife, good woman, is, I tell her, excessive proud; she cannot bear, she says, to sit spinning in her gown of tow, while I do nothing but gaze at the stars; and has threatened more than once to burn all my books and rattling-traps (as she calls my instruments) if I do not make some profitable use of them for the good of my family. The printer has offer'd me some considerable share of the profits, and I have thus began to comply with my dame's desire."
This Titian Leeds was a pen name for his rival publisher, who also issued an almanac. The two had begun life in Philadelphia together as printers.
The way in which he refers to his rival in his new almanac, as a man about to die to fulfill the predictions of astrology, was so comical as to excite a lively interest. Would he die? If not, what would the next almanac say of him? Mr. Leeds (Keimer) had a reputation of a knowledge of astronomy and astrology. In what way could Franklin have introduced a character to the public in the spirit of good-natured rivalry that would have awakened a more genuine curiosity?
The next year Poor Richard announced that his almanac had proved a success, and told the public the news that they were waiting for and much desired to hear: his wife Bridget had profited by it. She was now able to have a dinner-pot of her own, and something to put into it.
But how about Titian Leeds, who was to die after the astrological prediction? The people awaited the news of the fate of this poor man, as we await the tidings of the end of a piece of statesmanship. He thus answers, "I can not say positively whether he is dead or alive," but as the author of the rival almanac had spoken very disrespectfully of him, and as Mr. Leeds when living was a gentleman, he concludes that Mr. Leeds must be dead.