They stopped on the street.
Mr. Calamity passed them on the opposite side, and Mr. Franklin came after him, walking briskly. The latter stopped at the door of his office, but the old gentleman hurried on. When he reached the corner of the street he planted his cane down on the pavement and looked around. He saw the popular printer standing before his office door on the street. The two looked at each other. The old man evidently felt uncomfortable. He turned the corner, out of sight, when an extraordinary movement appeared.
Mr. Calamity reached back his long, ruffled arm, and his cane, in view of the philosopher, the teacher, and the boys, and shook the cane mysteriously as though he were writing in the air. He may have had in mind some figure of the ancient prophets. Up and down went the cane, around and around, with curves of awful import. It looked to those on the street he had left as though the sharp angle of the house on the corner had suddenly struck out a living arm in silent warning.
The arm and cane disappeared. A head in a wide-rimmed hat looked around the angle as if to see the effect of the writing in the air. Then the arm and cane appeared again as before. It was like the last remnant of a cloud when the body has passed.
The teacher saw the meaning of the movement.
"Boys," said he, "if you should ever be pursued by Mr. Calamity in any form, remember the arm and cane. See Franklin laugh! Industry in the end laughs at Calamity, and Diligence makes the men who 'stand before kings.' It is the law of life. Detraction is powerless before will and work, and as a rule whatever any one dreams that he may do, he will do."
The boys had received an object lesson, and would long carry in their minds the picture of the mysterious arm and cane.
In a right intention one is master of the ideal of life. If circumstances favor, he becomes conscious that life is no longer master of him, but that he is the master of life. This sense of power and freedom is noble; in vain does the shadow of Calamity intrude upon it; the visions of youth become a part of creations of the world; the dream of the architect is a mansion now; of the scientist, a road, a railway over rivers and mountains; of the orator and poet, thoughts that live. Even the young gardner finds his dreams projected into his farm. So ideals become realities, and thoughts become seeds that multiply. Mr. Calamity may shake his cane, but it will be behind a corner. Happy is he who makes facts of his thoughts that were true to life!