Before the prisoners had passed into the prison Desmoulins had found time to tear the defence which he had written into small pieces, and to throw them at the feet of the judge. Danton cried out, and checked himself in the middle of his sentence. All save poor Camille had kept their self-control. He, however, clung to the dock, determined on making some appeal to the people, or to the judges, or to posterity. Danton, who calmed him a few hours later at the foot of the scaffold, could do nothing with him then, and it was in the midst of a terrible violence that the fifteen disappeared.

The prisoners were taken back to the Conciergerie, but in their absence occurred a scene which is among the most instructive of the close of the Revolution. One of the jury could not bring himself to declare the guilt of men whom he knew to be innocent. Another said to him, “This is not a trial; it is a sacrifice. Danton and Robespierre cannot exist together; which do you think most necessary to the Republic?” The unhappy man, full of the infatuation of the time, stammered out, “Why, Robespierre is necessary, of course, but——” “It is enough; in saying that you have passed judgment.” And it came about in this way that the unanimous verdict condemned the Indulgents. Lhuillier alone was acquitted.

Of what passed in the prison we only know from the lips of an enemy,[160] but I can see Danton talking still courageously of a thousand things; sitting in his chair of green damask and drinking his bottle of Burgundy opposite the silver and the traps of D’Eglantine.[161] They were not taken back to hear their sentence; it was read to them, as a matter of form, in the Conciergerie itself. Ducray read it to them one by one as they were brought into his office. Danton refused to hear it in patience; he hated the technicality and the form, and he knew that he was condemned long ago. He committed himself to a last burst of passion before summoning his strength to meet the ordeal of the streets, and followed his anger by the insults which for days he had levelled at death. Then for a few hours they kept a silence not undignified, save only Camille, unfitted for such trials, and moaning to himself in a corner of the room, whom Danton continually tried to console, a task in which at the very end of their sad journey he succeeded. It was part of his broad mind to understand even a writer and an artist, he who had never written and had only done.

It was between half-past four and five o’clock in the evening of the same day, the 5th of April 1794, that the prisoners reappeared. Two carts were waiting for them at the great gate in the court of the Palais—the gate which is the inner entrance to the Conciergerie to-day.[162] About the carts were a numerous escort mounted and with drawn swords, but the victims took their seats as they chose, and of the fifteen the Dantonists remained together. Hérault, Camille, Lacroix, Westermann, Fabre, Danton went up the last into the second cart, and the procession moved out of the courtyard and turned to the left under the shadow of the Palais, and then to the left again round the Tour de l’Horloge, and so on to the quay. They passed the window of the tribunal, the window from which Danton’s loud voice had been heard across the river; they went creaking slowly past the old Mairie, past the rooms that had been Roland’s lodgings, till they came to the corner of the Pont Neuf; and as the carts turned from the trees of the Place Dauphine on to the open bridge, they left the shade and passed into the full blaze of the westering sun within an hour of its setting.

Early as was the season, the air was warm and pleasant, the leaves and the buds were out on the few trees, the sky was unclouded. All that fatal spring was summerlike, and this day was the calmest and most beautiful that it had known. The light, already tinged with evening, came flooding the houses of the north bank till their glass shone in the eyes. There it caught the Café de l’École where Danton had sat a young lawyer seven years before, and had seen the beauty of his first wife in her father’s house; to the right the corner of the old Hotel de Ville caught the glow, to the left the Louvre flamed with a hundred windows.

Where the light poured up the river and came reflected from the Seine on to the bridge, it marked out the terrible column that was moving ponderously forward to death. A great crowd, foolish, unstable, varied, of whom some sang, some ran to catch a near sight of the “Indulgents,” some pitied, and a few understood and despaired of the Republic—all these surging and jostling as a crowd will that is forced to a slow pace and confined by the narrowness of an old thoroughfare, stretched from one end of the bridge to the other, and you would have seen them in the sunlight, brilliant in the colours that men wore in those days, while here and there a red cap of liberty marked the line of heads.

But in the centre of this crowd and showing above it, could be seen the group of men who were about to die. The carts hidden by the people, the horses’ heads just showing above the mob, surrounded by the sharp gleams that only come from swords, there rose distinguished the figures of the Dantonists. There stood Hérault de Séchelles upright, his face contemptuous, his colour high, “as though he had just risen from a feast.” There on the far side of the cart sat Fabre D’Eglantine, bound, ill, collapsed, his head resting on his chest, muttering and complaining. There on the left side, opposite Fabre, is Camille, bound but still frenzied, calling loudly to the people, raving, “Peuple, pauvre Peuple!” He still kept in his poet’s head the dream of the People! They had been deceived, but they were just, they would save him. He wrestled with his ropes and tore his shirt open at the bosom, clenching his bound hands—clutched in his fingers through all the struggle shone the bright hair of Lucille. Danton stood up immense and quiet between them. One of those broad shoulders touched D’Eglantine, the other Desmoulins; their souls leant upon his body. And such comfort as there was or control in the central group came out like warmth from the chief of these friends.

He had been their leader and their strength for five years; they were round him now like younger brothers orphaned. The weakness of one, the vices of another, came leaning for support on the great rock of his form. For these were not the Girondins, the admirable stoics, of whom each was a sufficient strength to his own soul: they were the Dantonists, who had been moulded and framed by the strength and genius of one man. He did not fail them a moment in the journey, and he died last to give them courage.

As they passed on and left the river, they lost the light again and plunged into shadow; the cool air was about them in the deep narrow streets. They could see the light far above them only, as they turned into the gulf of the Rue St. Honoré, down which the lives of men poured like a stream to be lost and wasted in the Place de la Revolution. Up its steep sides echoed and re-echoed the noise of the mob like waves. They could see as they rolled slowly along the people at the windows, the men sitting in the cafés or standing up to watch them go by. One especially Danton saw suddenly and for a moment. He was standing with a drawing-book in his hand and sketching rapidly with short interrupted glances. It was David, an enemy.

Then there appeared upon their left another sight; it was the only one in that long hour which drove Danton out of his control: it was the house of Duplay. There, hidden somewhere behind the close shutters, was Robespierre. They all turned to it loudly, and the sentence was pronounced which some say God has executed—that it should disappear and not be known again, and be hidden by high walls and destroyed.