For instance; it was the ideal, the doctrine, the tradition, the major custom by far, that the clergy should be celibate. He enforced celibacy as universal discipline.

The awful majesty of the Papacy had been present in all men’s minds as a vast political conception for centuries too long to recall; St. Gregory organized that monarchy, and gave it proper instruments of rule.

The Unity of the Church had been the constant image without which Christendom could not be; St. Gregory VII. at every point made that unity tangible and visible. The Protestant historians who, for the most part, see in the man a sporadic phenomenon, by such a misconception betray the source of their anæmia and prove their intellectual nourishment to be unfed from the fountain of European life. St. Gregory VII. was not an inventor, but a renovator. He worked not upon, but in, his material; and his material was the nature of Europe: our nature.

Of the awful obstacles such workers must encounter all history speaks. They are at conflict not only with evil, but with inertia; and with local interest, with blurred vision and with restricted landscapes. Always they think themselves defeated, as did St. Gregory when he died. Always they prove themselves before posterity to have done much more than any other mold of man. Napoleon also was of this kind.

When St. Gregory was dead the Europe which he left was the monument of that triumph whose completion he had doubted and the fear of whose failure had put upon his dying lips the phrase: “I have loved justice and hated iniquity, therefore I die in exile.”

Immediately after his death came the stupendous Gallic effort of the Crusades.

The Crusades were the second of the main armed eruptions of the Gauls. The first, centuries before, had been the Gallic invasion of Italy and Greece and the Mediterranean shores in the old Pagan time. The third, centuries later, was to be the wave of the Revolution and of Napoleon.

The preface to the Crusades appeared in those endless and already successful wars of Christendom against Asia upon the high plateaus of Spain. These had taught the enthusiasm and the method by which Asia, for so long at high tide flooding a beleaguered Europe, might be slowly repelled, and from these had proceeded the military science and the aptitude for strain which made possible the advance of two thousand miles upon the Holy Land. The consequences of this last and third factor in the re-awakening of Europe were so many that I can give but a list of them here.

The West, still primitive, discovered through the Crusades the intensive culture, the accumulated wealth, the fixed civilized traditions of the Greek Empire and of the town of Constantinople. It discovered also, in a vivid new experience, the East. The mere covering of so much land, the mere seeing of so many sights by a million men expanded and broke the walls of the mind of the Dark Ages. The Mediterranean came to be covered with Christian ships, and took its place again with fertile rapidity as the great highway of exchange.

Europe awoke. All architecture is transformed, and that quite new thing, the Gothic, arises. The conception of representative assembly, monastic in origin, fruitfully transferred to civilian soil, appears in the institutions of Christendom. The vernacular languages appear, and with them the beginnings of our literature: the Tuscan, the Castilian, the Langue d’Oc, the Northern French, somewhat later the English. Even the primitive tongues that had always kept their vitality from beyond recorded time, the Celtic and the German [Footnote: I mean, in neither of the groups of tongues as we first find them recorded, for by that time each—especially the German—was full of Southern words borrowed from the Empire; but the original stocks which survived side by side with this new vocabulary. For instance, our first knowledge of Teutonic dialect is of the eighth century (the so-called Early Gothic is a fraud) but even then quite half the words or more are truly German, apparently unaffected by the Imperial laws and speech.] begin to take on new creative powers and to produce a new literature. That fundamental institution of Europe, the University, arises; first in Italy, immediately after in Paris—which last becomes the type and centre of the scheme.