First and Last

by Hilaire Belloc

Now I am quite sure that of the thousands who read that phrase all but a handful read it in the spirit in which one hears the oracle of a god. Some read it with regret, some with pleasure, but all with acquiescence.

That physical science was not competent in the matter one way or the other each of those readers would probably have discovered, if even so simple a corrective as the use of the term “physical research” instead of the sacred term “science” had been applied; the hierarchic title “Science” did the trick.

I might take another example out of many hundreds to show what I mean. You have an authority which is called, where documents are concerned, “The Best Modern Criticism.” “The Best Modern Criticism” decides that “Tam o’ Shanter” was written by a committee of permanent officials of the Board of Trade, or that Napoleon Bonaparte never existed. As a matter of fact, the tomfoolery does not usually venture upon ground so near home, but it talks rubbish just as monstrous about a poem a few hundred or a few thousand years old, or a great personality a few hundred or a few thousand years old.

Now if you will look at that phrase “The Best Modern Criticism” you will see at once that it simply teems with assumption and tautology. But it does more and worse: it presupposes that an infallible authority must of its own nature be perpetually wrong.

Even supposing that I have the most “modern” (that is, merely the latest) criticism to hand, and even supposing that by some omniscience of mine I can tell which is “the best” (that is, which part of it has really proved most ample, most painstaking, most general, and most sincere), even then the phrase fatally condemns me. It is to say that Wednesday is always infallible as compared with Tuesday, and Thursday as compared with Wednesday, which is absurd.

The B.M.C. tells me in 1875 that the Song of Roland could have no origins anterior to the year 1030. But the B.M.C. of 1885 (being a B.M.C. and nothing more valuable) has a changed opinion. It must change its opinion, that is the law of its being, since an integral factor in its value is its modernity. In 1885 B.M.C. tells me that the Song of Roland can be traced to origins far earlier, let us say to 912.

In 1895 B.M.C. has come to other conclusions—the Song of Roland is certainly as late as 1115 ... and so forth.

Now you would say that an idol of that absurdity could have no effect upon sane men. Change the terms and give it another name, and you would laugh at the idea of its having an effect upon any men. But we know as a matter of fact that it commands the thoughts of nearly all men to-day and makes cowards of the most learned.

Perhaps you will ask me at the end of so long a criticism in what way error may be corrected, since there is this sort of tendency in us to accept it, to which I answer that things correct it, or as the philosophers call things, “Reality.” Error does not wash.

To go back to that example of ghosts. If ever you see a ghost (my poor reader), I shall ask you afterwards whether he seemed subjective or no. I think you will find the word “subjective” an astonishingly thin one—if, at least, I catch you early after the experience.