Hills and the Sea

by Hilaire Belloc

When I came to my own gate and my own field, and had before me the house I knew, I looked around a little (though it was already evening), and I saw that the grass was standing as it should stand when it is ready for the scythe. For in this, as in everything that a man can do—of those things at least which are very old—there is an exact moment when they are done best. And it has been remarked of whatever rules us that it works blunderingly, seeing that the good things given to a man are not given at the precise moment when they would have filled him with delight. But, whether this be true or false, we can choose the just turn of the seasons in everything we do of our own will, and especially in the making of hay. Many think that hay is best made when the grass is thickest; and so they delay until it is rank and in flower, and has already heavily pulled the ground. And there is another false reason for delay, which is wet weather. For very few will understand (though it comes year after year) that we have rain always in South England between the sickle and the scythe, or say just after the weeks of east wind are over. First we have a week of sudden warmth, as though the south had come to see us all; then we have the weeks of east and south-east wind; and then we have more or less of that rain of which I spoke, and which always astonishes the world. Now it is just before, or during, or at the very end of that rain—but not later—that grass should be cut for hay. True, upland grass, which is always thin, should be cut earlier than the grass in the bottoms and along the water meadows; but not even the latest, even in the wettest seasons, should be left (as it is) to flower and even to seed. For what we get when we store our grass is not a harvest of something ripe, but a thing just caught in its prime before maturity: as witness that our corn and straw are best yellow, but our hay is best green. So also Death should be represented with a scythe and Time with a sickle; for Time can take only what is ripe, but Death comes always too soon. In a word, then, it is always much easier to cut grass too late than too early; and I, under that evening and come back to these pleasant fields, looked at the grass and knew that it was time. June was in full advance: it was the beginning of that season when the night has already lost her foothold of the earth and hovers over it, never quite descending, but mixing sunset with the dawn.

Next morning, before it was yet broad day, I awoke, and thought of the mowing. The birds were already chattering in the trees beside my window, all except the nightingale, which had left and flown away to the Weald, where he sings all summer by day as well as by night in the oaks and the hazel spinneys, and especially along the little river Adur, one of the rivers of the Weald. The birds and the thought of the mowing had awakened me, and I went down the stairs and along the stone floors to where I could find a scythe; and when I took it from its nail, I remembered how, fourteen years ago, I had last gone out with my scythe, just so, into the fields at morning. In between that day and this were many things, cities and armies, and a confusion of books, mountains and the desert, and horrible great breadths of sea.

When I got out into the long grass the sun was not yet risen, but there were already many colours in the eastern sky, and I made haste to sharpen my scythe, so that I might get to the cutting before the dew should dry. Some say that it is best to wait till all the dew has risen, so as to get the grass quite dry from the very first. But, though it is an advantage to get the grass quite dry, yet it is not worth while to wait till the dew has risen. For, in the first place, you lose many hours of work (and those the coolest), and next—which is more important—you lose that great ease and thickness in cutting which comes of the dew. So I at once began to sharpen my scythe.

There is an art also in the sharpening of a scythe, and it is worth describing carefully. Your blade must be dry, and that is why you will see men rubbing the scythe-blade with grass before they whet it. Then also your rubber must be quite dry, and on this account it is a good thing to lay it on your coat and keep it there during all your day's mowing. The scythe you stand upright, with the blade pointing away from you, and you put your left hand firmly on the back of the blade, grasping it: then you pass the rubber first down one side of the blade-edge and then down the other, beginning near the handle and going on to the point and working quickly and hard. When you first do this you will, perhaps, cut your hand; but it is only at first that such an accident will happen to you.

To tell when the scythe is sharp enough this is the rule. First the stone clangs and grinds against the iron harshly; then it rings musically to one note; then, at last, it purrs as though the iron and stone were exactly suited. When you hear this, your scythe is sharp enough; and I, when I heard it that June dawn, with everything quite silent except the birds, let down the scythe and bent myself to mow.

When one does anything anew, after so many years, one fears very much for one's trick or habit. But all things once learnt are easily recoverable, and I very soon recovered the swing and power of the mower. Mowing well and mowing badly—or rather not mowing at all—are separated by very little; as is also true of writing verse, of playing the fiddle, and of dozens of other things, but of nothing more than of believing. For the bad or young or untaught mower without tradition, the mower Promethean, the mower original and contemptuous of the past, does all these things: He leaves great crescents of grass uncut. He digs the point of the scythe hard into the ground with a jerk. He loosens the handles and even the fastening of the blade. He twists the blade with his blunders, he blunts the blade, he chips it, dulls it, or breaks it clean off at the tip. If any one is standing by he cuts him in the ankle. He sweeps up into the air wildly, with nothing to resist his stroke. He drags up earth with the grass, which is like making the meadow bleed. But the good mower who does things just as they should be done and have been for a hundred thousand years, falls into none of these fooleries. He goes forward very steadily, his scythe-blade just barely missing the ground, every grass falling; the swish and rhythm of his mowing are always the same.

So great an art can only be learnt by continual practice; but this much is worth writing down, that, as in all good work, to know the thing with which you work is the core of the affair. Good verse is best written on good paper with an easy pen, not with a lump of coal on a whitewashed wall. The pen thinks for you; and so does the scythe mow for you if you treat it honourably and in a manner that makes it recognise its service. The manner is this. You must regard the scythe as a pendulum that swings, not as a knife that cuts. A good mower puts no more strength into his stroke than into his lifting. Again, stand up to your work. The bad mower, eager and full of pain, leans forward and tries to force the scythe through the grass. The good mower, serene and able, stands as nearly straight as the shape of the scythe will let him, and follows up every stroke closely, moving his left foot forward. Then also let every stroke get well away. Mowing is a thing of ample gestures, like drawing a cartoon. Then, again, get yourself into a mechanical and repetitive mood: be thinking of anything at all but your mowing, and be anxious only when there seems some interruption to the monotony of the sound. In this mowing should be like one's prayers—all of a sort and always the same, and so made that you can establish a monotony and work them, as it were, with half your mind: that happier half, the half that does not bother.

In this way, when I had recovered the art after so many years, I went forward over the field, cutting lane after lane through the grass, and bringing out its most secret essences with the sweep of the scythe until the air was full of odours. At the end of every lane I sharpened my scythe and looked back at the work done, and then carried my scythe down again upon my shoulder to begin another. So, long before the bell rang in the chapel above me—that is, long before six o'clock, which is the time for the Angelus—I had many swathes already lying in order parallel like soldiery; and the high grass yet standing, making a great contrast with the shaven part, looked dense and high. As it says in the Ballad of Val-ès-Dunes, where—

The tall son of the Seven Winds

Came riding out of Hither-hythe,