As the evening fell the cables were slipped without songs, and with great dignity, rapidity, and order the ship was got away.
I knew a man once, a seafaring man, a Scotchman, with whom I travelled on a very slow old boat in the Atlantic, who told me that the Northern people of Europe were bravest in a unexpected danger, but the Southern in a danger long foreseen. He said he had known many of both kinds, and had served under them and commanded them. He said that in sudden accident the Northerner was the more reliable man, but that if an act of great danger had to be planned and coolly achieved, then the Southerner was strongest in doing what he had to do. He said that in taking the ground he would rather have a Northern, but in bringing in a short ship a Southern crew.
He was a man who observed closely, and never said a thing because he had read it. Indeed, he did not read, and he had in a little hanging shelf above his bunk only four or five tattered books, and even these were magazines. I remembered his testimony now as I watched these Catalans letting the ship go free, and I believed it, comparing it with history and the things I had myself seen. They did everything with such regularity and so silently that it was a different deck from what one would have had in the heave of the Channel. With Normans or Bretons, or Cornishmen or men of Kent, but especially with men from London river, there would have been all sorts of cursing and bellowing, and they could not have touched a rope without throwing themselves into attitudes of violence. But these men took the sea quite quietly, nor could you tell from their faces which was rich and which was poor.
It was not till the ship was out throbbing swiftly Over the smooth sea and darkness had fallen that they began to sing. Then those of them who were not working gathered together with a stringed instrument forward and sang of pity and of death. One of them said to me, "Knight, can your grace sing?" I told him that I could sing, certainly, but that my singing was unpleasing, and that I only knew foreign songs. He said that singing was a great solace, and desired to hear a song of my own country. So I sang them a song out of Sussex, to which they listened in deep silence, and when it was concluded their leader snapped and twanged at the strings again and began another song about the riding of horses in the hills.
So we passed the short night until the sky upon our quarter grew faintly pale and the little wind that rises before morning awakened the sea.
THE IDEA OF A PILGRIMAGE
A pilgrimage is, of course, an expedition to some venerated place to which a vivid memory of sacred things experienced, or a long and wonderful history of human experience in divine matters, or a personal attraction affecting the soul impels one. This is, I say, its essence. So a pilgrimage may be made to the tomb of Descartes, in Paris, or it may be a little walk uphill to a neighbouring and beloved grave, or a modern travel, even in luxury, on the impulse to see something that greatly calls one.
But there has always hung round the idea of a pilgrimage, with all people and at all times—I except those very rare and highly decadent generations of history in which no pilgrimages are made, nor any journeys, save for curiosity or greed—there has always hung round it, I say, something more than the mere objective. Just as in general worship you will have noble gowns, vivid colour, and majestic music (symbols, but necessary symbols of the great business you are at); so, in this particular case of worship, clothes, as it were, and accoutrements, gather round one's principal action. I will visit the grave of a saint or of a man whom I venerate privately for his virtues and deeds, but on my way I wish to do something a little difficult to show at what a price I hold communion with his resting-place, and also on toy way I will see all I can of men and things; for anything great and worthy is but an ordinary thing transfigured, and if I am about to venerate a humanity absorbed into the divine, so it behoves me on my journey to it to enter into and delight in the divine that is hidden in everything. Thus I may go upon a pilgrimage with no pack and nothing but a stick and my clothes, but I must get myself into the frame of mind that carries an invisible burden, an eye for happiness and suffering, humour, gladness at the beauty of the world, a readiness for raising the heart at the vastness of a wide view, and especially a readiness to give multitudinous praise to God; for a man that goes on a pilgrimage does best of all if he starts out (I say it of his temporal object only) with the heart of a wanderer, eager for the world as it is, forgetful of maps or descriptions, but hungry for real colours and men and the seeming of things. This desire for reality and contact is a kind of humility, this pleasure in it a kind of charity.