There lives in the middle of the Weald upon the northern edge of a small wood where a steep brow of orchard pasture goes down to a little river, a Recluse who is of middle age and possessed of all the ordinary accomplishments; that is, French and English literature are familiar to him, he can himself compose, he has read his classical Latin and can easily decipher such Greek as he has been taught in youth. He is unmarried, he is by birth a gentleman, he enjoys an income sufficient to give him food and wine, and has for companion a dog who, by the standard of dogs, is somewhat more elderly than himself.
This dog is called Argus, not that he has a hundred eyes nor even two, indeed he has but one; for the other, or right eye, he lost the sight of long ago from luxury and lack of exercise. This dog Argus is neither small nor large; he is brown in colour and covered—though now but partially—with curly hair. In this he resembles many other dogs, but he differs from most of his breed in a further character, which is that by long association with a Recluse he has acquired a human manner that is unholy. He is fond of affected poses. When he sleeps it is with that abandonment of fatigue only naturally to be found in mankind. He watches sunsets and listens mournfully to music. Cooked food is dearer to him than raw, and he will eat nuts—a monstrous thing in a dog and proof of corruption.
Nevertheless, or, rather, on account of all this, the dog Argus is exceedingly dear to his master, and of both I had the other day a singular revelation when I set out at evening to call upon my friend.
The sun had set, but the air was still clear and it was light enough to have shot a bat (had there been bats about and had one had a gun) when I knocked at the cottage door and opened it. Right within, one comes to the first of the three rooms which the Recluse possesses, and there I found him tenderly nursing the dog Argus, who lay groaning in the arm-chair and putting on all the airs of a Christian man at the point of death.
The Recluse did not even greet me, but asked me only in a hurried way how I thought the dog Argus looked. I answered gravely and in a low tone so as not to disturb the sufferer, that as I had not seen him since Tuesday, when he was, for an elderly dog, in the best of health, he certainly presented a sad contrast, but that perhaps he was better than he had been some few hours before, and that the Recluse himself would be the best judge of that.
My friend was greatly relieved at what I said, and told me that he thought the dog was better, compared at least with that same morning; then, whether you believe it or not, he took him by the left leg just above the paw and held it for a little time as though he were feeling a pulse, and said, "He came back less than twenty-four hours ago!" It seemed that the dog Argus, for the first time in fourteen years, had run away, and that for the first time in perhaps twenty or thirty years the emotion of loss had entered into the life of the Recluse, and that he had felt something outside books and outside the contemplation of the landscape about his hermitage.
In a short time the dog fell into a slumber, as was shown by a number of grunts and yaps which proved his sleep, for the dog Argus is of that kind which hunts in dreams. His master covered him reverently rather than gently with an Indian cloth and, still leaving him in the armchair, sat down upon a common wooden chair close by and gazed pitifully at the fire. For my part I stood up and wondered at them both, and wondered also at that in man by which he must attach himself to something, even if it be but a dog, a politician, or an ungrateful child.
When he had gazed at the fire a little while the Recluse began to talk, and I listened to him talking:
"Even if they had not dug up so much earth to prove it I should have known," said he, "that the Odyssey was written not at the beginning of a civilisation nor in the splendour of it, but towards its close. I do not say this from the evening light that shines across its pages, for that is common to all profound work, but I say it because of the animals, and especially because of the dog, who was the only one to know his master when that master came home a beggar to his own land, before his youth was restored to him, and before he got back his women and his kingship by the bending of his bow, and before he hanged the housemaids and killed all those who had despised him."
"But how," said I (for I am younger than he), "can the animals in the poem show you that the poem belongs to a decline?"