that a man reads the first couplet of that Hymeneal, and immediately perceives the Apennines.
The nameless translator of the Highland song does it, especially when he advances that battering line—
And we in dreams behold the Hebrides.
They all do it, bless their hearts, the poets, which leads me back again to the mournful reflection that it cannot be done in prose….
Little friends, my readers, I wish it could be done in prose, for if it could, and if I knew how to do it, I would here present to you that Unknown Country in such a fashion that every landscape which you should see henceforth would be transformed, by the appearing through it, the shining and uplifting through it, of the Unknown Country upon which reposes this tedious and repetitive world.
Now you may say to me that prose can do it, and you may quote to me the end of the Pilgrim's Progress, a very remarkable piece of writing. Or, better still, as we shall be more agreed upon it, the general impression left upon the mind by the book which set me writing—Mr. Hudson's Crystal Age. I do not deny that prose can do it, but when it does it, it is hardly to be called prose, for it is inspired. Note carefully the passages in which the trick is worked in prose (for instance, in the story of Ruth in the Bible, where it is done with complete success), you will perceive an incantation and a spell. Indeed this same episode of Ruth in exile has inspired two splendid passages of European verse, of which it is difficult to say which is the more national, and therefore the greatest, Victor Hugo's in the Legende des Siecles or Keats's astounding four lines.
There was a shepherd the other day up at Findon Fair who had come from the east by Lewes with sheep, and who had in his eyes that reminiscence of horizons which makes the eyes of shepherds and of mountaineers different from the eyes of other men. He was occupied when I came upon him in pulling Mr. Fulton's sheep by one hind leg so that they should go the way they were desired to go. It happened that day that Mr. Fulton's sheep were not sold, and the shepherd went driving them back through Findon Village, and up on to the high Downs. I went with him to hear what he had to say, for shepherds talk quite differently from other men. And when we came on to the shoulder of Chanctonbury and looked down upon the Weald, which stretched out like the Plains of Heaven, he said to me: "I never come here but it seems like a different place down below, and as though it were not the place where I have gone afoot with sheep under the hills. It seems different when you are looking down at it." He added that he had never known why. Then I knew that he, like myself, was perpetually in perception of the Unknown Country, and I was very pleased. But we did not say anything more to each other about it until we got down into Steyning. There we drank together and we still said nothing more about it, so that to this day all we know of the matter is what we knew when we started, and what you knew when I began to write this, and what you are now no further informed upon, namely, that there is an Unknown Country lying beneath the places that we know, and appearing only in moments of revelation.
Whether we shall reach this country at last or whether we shall not, it is impossible to determine.
ON A FAERY CASTLE
A woman whose presence in English letters will continue to increase wrote of a cause to which she had dedicated her life that it was like that Faery Castle of which men became aware when they wandered upon a certain moor. In that deserted place (the picture was taken from the writings of Sir Walter Scott) the lonely traveller heard above him a noise of bugles in the air, and thus a Faery Castle was revealed; but again, when the traveller would reach it, a doom comes upon him, and in the act of its attainment it vanishes away.