… as the flowers are fed
That fill their falling-time with generous breath:
Let me attain a natural end of death,
And on the mighty breast, as on a bed,
Lay decently at last a drowsy head,
Content to lapse in somnolence and fade
In dreaming once again the dream of all things made.

The most careful philosophy, the most heavenly music, the best choice of poetic or prosaic phrase prepare men properly for man's perpetual loss of this and of that, and introduce us proudly to the similar and greater business of departure from them all, from whatever of them all remains at the close.

To be introduced, to be prepared, to be armoured, all these are excellent things, but there is a question no foresight can answer nor any comprehension resolve. It is right to gather upon that question the varied affections or perceptions of varying men.

I knew a man once in the Tourdenoise, a gloomy man, but very rich, who cared little for the things he knew. This man took no pleasure in his fruitful orchards and his carefully ploughed fields and his harvests. He took pleasure in pine trees; he was a man of groves and of the dark. For him that things should come to an end was but part of an universal rhythm; a part pleasing to the general harmony, and making in the music of the world about him a solemn and, oh, a conclusive chord. This man would study the sky at night and take from it a larger and a larger draught of infinitude, finding in this exercise not a mere satisfaction, but an object and goal for the mind; when he had so wandered for a while under the night he seemed, for the moment, to have reached the object of his being.

And I knew another man in the Weald who worked with his hands, and was always kind, and knew his trade well; he smiled when he talked of scythes, and he could thatch. He could fish also, and he knew about grafting, and about the seasons of plants, and birds, and the way of seed. He had a face full of weather, he fatigued his body, he watched his land. He would not talk much of mysteries, he would rather hum songs. He loved new friends and old. He had lived with one wife for fifty years, and he had five children, who were a policeman, a schoolmistress, a son at home, and two who were sailors. This man said that what a man did and the life in which he did it was like the farmwork upon a summer's day. He said one works a little and rests, and works a little again, and one drinks, and there is a perpetual talk with those about one. Then (he would say) the shadows lengthen at evening, the wind falls, the birds get back home. And as for ourselves, we are sleepy before it is dark.

Then also I knew a third man who lived in a town and was clerical and did no work, for he had money of his own. This man said that all we do and the time in which we do it is rather a night than a day. He said that when we came to an end we vanished, we and our works, but that we vanished into a broadening light.

Which of these three knew best the nature of man and of his works, and which knew best of what nature was the end?

* * * * *

Why so glum, my Lad, or my Lass (as the case may be), why so heavy at heart? Did you not know that you also must Come to an End?

Why, that woman of Etaples who sold such Southern wine for the dissipation of the Picardian Mist, her time is over and gone and the wine has been drunk long ago and the singers in her house have departed, and the wind of the sea moans in and fills their hall. The Lords who died in Roncesvalles have been dead these thousand years and more, and the loud song about them grew very faint and dwindled and is silent now: there is nothing at all remains.