Here I will confess (Individual) that I am tempted to leave you by the side of the stream, to swim it if you can, to drown if you can't, or to go back home and be eaten out with your desire for the ulterior shore, while I digress upon that word Pontifex, which, note you, is not only a name over a shop as "Henry Pontifex, Italian Warehouseman," or "Pontifex Brothers, Barbers," but a true key-word breeding ideas and making one consider the greatness of man, or rather the greatness of what made him.
For man builds bridges over streams, and he has built bridges more or less stable between mind and mind (a difficult art!), having designed letters for that purpose, which are his instrument; and man builds by prayer a bridge between himself and God; man also builds bridges which unite him with Beauty all about.
Thus he paints and draws and makes statues, and builds for beauty as well as for shelter from the weather. And man builds bridges between knowledge and knowledge, co-ordinating one thing that he knows with another thing that he knows, and putting a bridge from each to each. And man is for ever building—but he has never yet completed, nor ever will—that bridge they call philosophy, which is to explain himself in relation to that whence he came. I say, when his skeleton is put in the Museum properly labelled, it shall be labelled not Homo Sapiens, but Homo Pontifex; hence also the anthem, or rather the choral response, "Pontificem habemus," which is sung so nobly by pontifical great choirs, when pontifications are pontificated, as behooves the court of a Pontiff.
Nevertheless (Individual) I will not leave you there, for I have pity on you, and I will explain to you the nature of bridges. By a bridge was man's first worry overcome. For note you, there is no worry so considerable as to wail by impassable streams (as Swinburne has it). It is the proper occupation of the less fortunate dead.
ON BRIDGES
Believe me, without bridges the world would be very different to you. You take them for granted, you lollop along the road, you cross a bridge. You may be so ungrateful as to forget all about it, but it is an awful thing!
A bridge is a violation of the will of nature and a challenge. "You desired me not to cross," says man to the River God, "but I will." And he does so: not easily. The god had never objected to him that he should swim and wet himself. Nay, when he was swimming the god could drown him at will, but to bridge the stream, nay, to insult it, to leap over it, that was man all over; in a way he knows that the earthy gods are less than himself and that all that he dreads is his inferior, for only that which he reveres and loves can properly claim his allegiance. Nor does he in the long run pay that allegiance save to holiness, or in a lesser way to valour and to worth.
Man cannot build bridges everywhere. They are not multitudinous as are his roads, nor universal as are his pastures and his tillage. He builds from time to time in one rare place and another, and the bridge always remains a sacred thing. Moreover, the bridge is always in peril. The little bridge at Paris which carried the Roman road to the island was swept away continually; and the bridge of Staines that carried the Roman road from the great port to London was utterly destroyed.
Bridges have always lived with fear in their hearts; and if you think this is only true of old bridges (Individual), have you forgotten the Tay Bridge with the train upon it? Or the bridge that they were building over the St. Lawrence some little time ago, or the bridge across the Loire where those peasants went to their death on a Sunday only a few months since? Carefully consider these things and remember that the building and the sustaining of a bridge is always a wonderful and therefore a perilous thing.
No bridges more testify to the soul of man than the bridges that leap in one arch from height to height over the gorge of a torrent. Many of these are called the Devil's Bridges with good reason, for they suggest art beyond man's power, and there are two to be crossed and wondered at, one in Wales in the mountains, and another in Switzerland, also in the mountains. There is a third in the mountains at the gate of the Sahara, of the same sort, jumping from rock to rock. But it is not called the Devil's Bridge. It is called with Semitic simplicity "El Kantara," and that is the name the Arabs gave to the old bridges, to the lordly bridges of the Romans, wherever they came across them, for the Arabs were as incapable of making bridges as they were of doing anything else except singing love songs and riding about on horses. "Alcantara" is a name all over Spain, and it is in the heart of the capital of Portugal, and it is fixed in the wilds of Estremadura. You get it outside Constantine also where the bridge spans the gulf. Never did an Arab see bridges but he wondered.