In this valley one day as I was drawing a picture of the woods I found a wandering Englishman who was in the oddest way. He seemed by the slight bend at his knees and the leaning forward of his head to have no very great care how much further he might go. He was in the clothes of an English tourist, which looked odd in such a place, as, for that matter, they do anywhere. He had upon his head a pork-pie hat which was of the same colour and texture as his clothes, a speckly brown. He carried a thick stick. He was a man over fifty years of age; his face was rather hollow and worn; his eyes were very simple and pale; he was bearded with a weak beard, and in his expression there appeared a constrained but kindly weariness. This was the man who came up to me as I was drawing my picture. I had heard him scrambling in the undergrowth of the woods just behind me.
He came out and walked to me across the few yards of meadow. The haying was over, so he did the grass no harm. He came and stood near me, irresolutely, looking vaguely up and across the valley towards the further woods, and then gently towards what I was drawing. When he had so stood still and so looked for a moment he asked me in French the name of the great house whose roof showed above the more ordered trees beyond the river, where a park emerged from and mixed with the forest. I told him the name of the house, whereupon he shook his head and said that he had once more come to the wrong place.
I asked him what he meant, and he told me, sitting down slowly and carefully upon the grass, this adventure:
"First," said he, "are you always quite sure whether a thing is really there or not?"
"I am always quite sure," said I; "I am always positive."
He sighed, and added: "Could you understand how a man might feel that things were really there when they were not?"
"Only," said I, "in some very vivid dream, and even then I think a man knows pretty well inside his own mind that he is dreaming." I said that it seemed to me rather like the question of the cunning of lunatics; most of them know at the bottom of their silly minds that they are cracked, as you may see by the way they plot and pretend.
"You are not sympathetic with me," he said slowly, "but I will nevertheless tell you what I want to tell you, for it will relieve me, and it will explain to you why I have again come into this valley." "Why do you say 'again'?" said I.
"Because," he answered gently, "whenever my work gives me the opportunity I do the same thing. I go up the valley of the Seine by train from Dieppe; I get out at the station at which I got out on that day, and I walk across these low hills, hoping that I may strike just the path and just the mood—but I never do."
"What path and what mood?" said I.